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Capturing the Sublime
This handsome volume brings together an impressive array of scholars, who analyze an outstanding private collection of 171 Old Master drawings that date from the late fifteenth through the early nineteenth century. The collection vibrantly revealed here includes a wide variety of drawings—from sketches and figure drawings to copies after masters and preliminary studies for major compositions—and features the work of many important Italian artists, including Raphael, Andrea del Sarto, Baccio Bandinelli, Pontormo, Perino del Vaga, Gian Lorenzo Bernini, Salvator Rosa, Guercino, and Giovanni Battista Tiepolo, among many others. Each work is reproduced and accompanied by complete documentation: physical description, provenance, bibliography, and exhibition history, as well as background information on the subjects captured in the drawings. Capturing the Sublime opens the beauty of these drawings to a broader public and provides important new attributions and scholarship.
Gray Collection
An engaging survey of a renowned collection of drawings that includes work by artists from Guercino and Hendrick Goltzius to Jean-Auguste-Dominique Ingres and Jaume Plensa One of America's foremost art dealers, Richard Gray--along with his wife, the art historian Mary L. Gray--amassed a remarkable collection of drawings, paintings, and sculpture representing 700 years of Western art. Offering an in-depth look at the Gray Collection's drawings, this volume highlights 36 exceptional works that range from the 15th through the 20th century by artists such as Paolo Veronese, François Boucher, Auguste Rodin, Jackson Pollock, and Tadao Ando. Entries by scholars from a variety of fields provide new perspectives on individual drawings and discuss the ways in which they reflect changes in artistic practice and the evolution of draftsmanship. This handsome publication also features the guest book from the Richard Gray Gallery, a fascinating historical document adorned with drawings and salutations from the likes of Susan Sontag, Ellsworth Kelly, and Tom Wolfe.
Graphic Modernism
This exhibition catalog highlights a recent gift of works on paper to the Art Institute of Chicago from the Gecht family, longtime Chicago collectors. The catalog comprises 135 drawings, prints, and sculptures from the collection, all of which embody a broad definition of Modernism. The book spans two centuries and contains artists such as Cezanne and Van Gogh as well as Mark Rothko and Philip Guston. Toulouse-Lautrec, Matisse, and Picasso form the backbone of the collection with nearly 30 works of art apiece. Suzanne Folds McCullagh (curator of prints & drawings, Art Inst. of Chicago) provides a short introductory essay that tracks the evolution of the collection. Authored by a bevy of cont...
Rubens, Rembrandt, and Drawing in the Golden Age
An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist’s mind.
Art and the Experience of the Divine
How do people find faith? For centuries the focus of the church has been on providing arguments that might persuade a person rationally that faith is plausible. This book invites people to find faith through experience. By taking a great work of art, the reader is invited to meditate and pray through that art to God. Faith is primarily an experience of the heart, not an argument that appeals to the head. The book opens with a framing case for the centrality of the visual arts as a vehicle to experience the divine. Engaging with the literature, a distinctive case is made for a "spiritual theory of art," according to which art makes spiritual reality present to the seeker. Then there are twenty-two devotional reflections on art that show how properly reading a painting or a drawing can open up fresh ways of thinking about the divine that are compelling and powerful. Thus, we are guided towards seeing truly great art as a focus for prayer and meditation.
Rooms with a View
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
Along the Lines
"Romanian-born American artist Saul Steinberg (1914-1999) won international acclaim for his inventive, wry representations of the postwar age. His work appeared on the covers and interiors of the New Yorker for nearly six decades, and his drawings, collages, prints, paintings, and sculptures have been exhibited in galleries and museums around the world. With essays by cartoonist Chris Ware and curator Mark Pascale, this book traces Steinberg's imagery as it evolved over the full scope of his career, during which he refused to distinguish between high and low art. The 60 works included range from the witty black-ink takes on his newly adopted land of 1940s America to the watercolor paintings he made as a mature artist in the late 1980s"--
American Horizons
This revealing monograph explores how Sinsabaugh's wide format photographs expose the bond between humankind and the earth as suggested by his images of wide horizons, interspersed by skyscrapers, bridges, silos and highways. 96 colour & 200 b/w illustrations
Sixteenth-century Italian Drawings in New York Collections
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR
The Brush and the Pen
French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.
