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Village Voices
None
Everett/Everitt Family
Nathaniel Everett (1678-1749) moved to Morratock, Cowan Precinct (later County), North Carolina in 1683. His son, John Everett or Everitt (1743-1820), married Sarah Fagan about 1772, served in the Revolutionary War, and lived in Tyrrell County, North Carolina. They moved to Effingham County, Georgia in 1785, and part of their land was located in Bulloch County when it was created in 1794. Descen- dants and relatives of John and Sarah lived in North Carolina, Georgia, Florida, Alabama, Texas, California and elsewhere.
Infirmière Canadienne
Includes the notes and directory of the Association and brief accounts of various Canadian nursing societies.
"Beyond Jerusalem: Music in the Women's Institute, 1919?969 "
Music in the Women's Institute has become stereotyped by the ritualistic singing of Jerusalem at monthly meetings. Indeed, Jerusalem has had an important role within the organization, and provides a valuable means within which to assess the organization's relationship with women's suffrage and the importance of rurality in the Women's Institute's identity. However, this book looks beyond Jerusalem by examining the full range of music making within the organization and locates its significance within a wider historical-cultural context. The Institute's promotion of conducting - a regular part of its musical activity since the 1930s - is discussed within the context of embodying overtly femini...
Beyond Jerusalem: Music in the Women's Institute, 1919–1969
Music in the Women's Institute has become stereotyped by the ritualistic singing of Jerusalem at monthly meetings. Indeed, Jerusalem has had an important role within the organization, and provides a valuable means within which to assess the organization's relationship with women's suffrage and the importance of rurality in the Women's Institute's identity. However, this book looks beyond Jerusalem by examining the full range of music making within the organization and locates its significance within a wider historical-cultural context. The Institute's promotion of conducting - a regular part of its musical activity since the 1930s - is discussed within the context of embodying overtly femini...
No Easy Road
The third volume in the Canadian women’s history series, this book contains documents that illustrate the conditions and concerns of women in Canada between the 1920s and the 1960s, delineating the experience that set the stage for the contemporary Canadian women’s movement.
