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The Open-Winged Scorpion and Other Stories is a collection of ten powerful Bengali short stories, all translated into English for the first time. Hailing from Murshidabad district in West Bengal, Abul Bashar pens stories about precarious lives of marginal Muslim communities in that district. His tales are shot through with the fears, dreams, hopes, and anxieties of the communities he portrays: their poverty and piety, the sensuality of the ancient mythologies they reimagine and remember, the rituals that permeate their lives, and the ever-present influence of the River Padma, which brings the silt that makes the land flourish--and the floods that destroy the crops and the people who plant them. The complex dynamics of the trivial and the transcendental emerge in Bashar's stories, as the tales become no less than an archive and richly imagined historical testimony of an abject community relegated to the margins of the society too focused on the future to remember people who are struggling in the here and now.
This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field.
My Journey from an Asian British to British Asian covers Sujit Bhattacharjee’s life, from his early years in India to one of the first generation of post-war Indian immigrants living in the UK over the last 50 years. Over the course of his time in the UK, Sujit has witnessed a drastic change in its nature and composition. Upon arrival, Britain was a predominantly Anglo-Saxon Christian society, but has been transformed into the diverse, open-minded and multiculturally enriched nation we live in today. Sujit has also noticed a shift in his own cultural identities since becoming resident in Britain. He began subscribing to the view that one’s identities could be multiple and situational; both British and Asian. Sujit’s story was originally written for his own children and grandchildren, who were keen to know how and why he came to live in the UK, and how it helped him become the man he is today. However, it will also be of interest to second and third generation readers of Indian descent who are keen to learn more of their own heritage, as well as to the general British public as it dwells on the dilemma of a hybrid immigrant in this country.
Bengali writer Riza Rahman is the author of more than fifty novels, as well as countless short stories, set in Bangladesh and bringing to life the difficult, mostly forgotten lives of its poorest and most disadvantaged citizens. Letters of Blood is set in the often violent world of prostitution in Bangladesh. Rahman brings great sensitivity and insight to her chronicles of the lives of women trapped in that bleak world as they face the constant risk of physical abuse, disease, and pregnancy, while also all too often struggling with drug addiction. A powerful, unforgettable story, Letters of Blood shows readers a hard way of life, imbuing the stories of these women with unforgettable empathy and compassion.
This Handbook offers a comprehensive examination of Gabriel García Márquez's life, oeuvre, and legacy, the first such work since his death in 2014. It incorporates ongoing critical approaches such as feminism, ecocriticism, Marxism, and ethnic studies, while elucidating key aspects of his work, such as his Caribbean-Colombian background; his use of magical realism, myth, and folklore; and his left-wing political views. Thirty-two wide-ranging chapters coverthe bulk of the author's writings, giving special attention to the global influence of García Márquez.
The mind wants to know the name of the magazine / book you gave the copy of. I like the idea of footnotes. I don't really feel 'damaged' in any story / novel / movie spoiler. If I did, I would not have read 'Tota Kahini' a thousand times or 'Diamond Raja's Land' a hundred times. The one who has the power to push can hit even one hundred thousand times