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López-Calvo uses contemporary Nikkei texts such as fiction, testimonies, and poetry to construct an account of the cultural formation of Japanese migrant communities, and in so doing challenges fixed notions of Japanese Peruvian identity.
This book covers the heterogeneity of Chilean literary production from the times of the Spanish conquest to the present. It shifts critical focus from national identity and issues to a more multifaceted transnational, hemispheric, and global approach. Its emphasis is on the paradigm transition from the purportedly homogeneous to the heterogeneous.
"The book considers the influence of a Chinese ethnic background or lack thereof in the writing of several twentieth and twenty-first century Sino-Peruvian authors"--
Los Angeles has long been a place where cultures clash and reshape. The city has a growing number of Latina/o authors and filmmakers who are remapping and reclaiming it through ongoing symbolic appropriation. In this illuminating book, Ignacio L—pez-Calvo foregrounds the emotional experiences of authors, implicit authors, narrators, characters, and readers in order to demonstrate that the evolution of the imaging of Los Angeles in Latino cultural production is closely related to the politics of spatial location. This spatial-temporal approach, he writes, reveals significant social anxieties, repressed rage, and deep racial guilt. Latino Los Angeles in Film and Fiction sets out to reconfigu...
2020 International Latino Book Awards Honorable Mention in Best Nonfiction (Multi-Author) Latinx Writing Los Angeles offers a critical anthology of Los Angeles's most significant English-language and Spanish-language (in translation) nonfiction writing from the city's inception to the present. Contemporary Latinx authors, including three Pulitzer Prize winners and writers such as Harry Gamboa Jr., Guillermo Gómez-Peña, and Rubén Martínez, focus on the ways in which Latinx Los Angeles's nonfiction narratives record the progressive racialization and subalternization of Latinxs in the southwestern United States. While notions of racial memory, coloniality, biopolitics, internal colonialism,...
Japanese Brazilian Saudades explores the self-definition of Nikkei discourse in Portuguese-language cultural production by Brazilian authors of Japanese ancestry. Ignacio López-Calvo uses books and films by twentieth-century Nikkei authors as case studies to redefine the ideas of Brazilianness and Japaneseness from both a national and a transnational perspective. The result suggests an alternative model of postcoloniality, particularly as it pertains to the post–World War II experience of Nikkei people in Brazil. López-Calvo addresses the complex creation of Japanese Brazilian identities and the history of immigration, showing how the community has used writing as a form of reconciliatio...
More than 150 years ago, over 150,000 Chinese people emigrated to Cuba. This book examines the representations of these immigrants in Cuban culture, from food to books to painting.
Rafael Trujillo, dictator of the Dominican Republic from 1930 until his assassination in 1961, is still heavily mythologized among Dominicans to this day. God and Trujillo, the first book-length study of works about the Dominican dictator, seeks to explain how some of those myths were created by analyzing novels and testimonials about Trujillo from Dominican writers to canonical Latin American authors, including Mario Vargas Llosa and Gabriel García Márquez. Trujillo's quasi-mythological figure created a compelling corpus of literary works. Ignacio López-Calvo's study offers a vigorous analysis of 36 narrative texts. He analyzes the representation of the dictator as a mythological figure,...
The Humanities in the Age of Information and Post-Truth is a collection of essays that mount a spirited and rigorous defense of the social function of the humanities in contemporary society--Provided by publisher.
"On September 11, 1973, Chile's General Pinochet led a quick and brutal military coup over the Allende government and then installed a dictatorship that controlled the country until late 1998. Many Allende sympathizers - and all free-thinking Chilean citizens, for that matter - were forced into exile or put into concentration camps." "Ignacio Lopez-Calvo argues that this event shaped Chilean narrative into two structural forms that roughly adhere to a social chronology: liberationist narrative, "cathartic," journalistic testimonies that provide models for revolutionary behavior against authoritarianism; and demystifying narrative, which uses the events of 1973, as well as the colonial aspira...