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The Dental Assistant
  • Language: en
  • Pages: 684

The Dental Assistant

  • Type: Book
  • -
  • Published: 1954
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  • Publisher: Unknown

None

Transcript of the Enrollment Books
  • Language: en
  • Pages: 772

Transcript of the Enrollment Books

  • Type: Book
  • -
  • Published: 1940
  • -
  • Publisher: Unknown

None

Women in Espionage
  • Language: en
  • Pages: 280

Women in Espionage

  • Type: Book
  • -
  • Published: 1993
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  • Publisher: Unknown

THIS EXPANSIVE REFERENCE WORK PRESENTS THE FASCINATING BIOGRAPHIES OF 150 WOMEN SPIES. SPANNING THOUSANDS OF YEARS AND SCORES OF NATIONS, THIS ONE-OF-A-KIND BOOK TELLS AMAZING STORIES OF REMARKABLE PEOPLE ENGAGED IN LOVE AND WAR, HATRED AND REVENGE, GREAT ESCAPES AND DRAMATIC CAPTURES. EXAMPLES: MARIE BIRCKEL-THEODORA ACACIUS-MATA HARI-CLAIRE PHILLIPS.

Bulletin
  • Language: en
  • Pages: 740

Bulletin

  • Type: Book
  • -
  • Published: 1913
  • -
  • Publisher: Unknown

None

West's Southern Reporter
  • Language: en
  • Pages: 1482

West's Southern Reporter

  • Type: Book
  • -
  • Published: 2000
  • -
  • Publisher: Unknown

None

Dental Laboratory Technology
  • Language: en
  • Pages: 464

Dental Laboratory Technology

  • Type: Book
  • -
  • Published: 1975
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  • Publisher: Unknown

None

New York State Dental Journal
  • Language: en
  • Pages: 612

New York State Dental Journal

  • Type: Book
  • -
  • Published: 1954
  • -
  • Publisher: Unknown

None

Register
  • Language: en
  • Pages: 388

Register

  • Type: Book
  • -
  • Published: 1942
  • -
  • Publisher: Unknown

None

Dental Items of Interest
  • Language: en
  • Pages: 1284

Dental Items of Interest

  • Type: Book
  • -
  • Published: 1953
  • -
  • Publisher: Unknown

None

Weill's Musical Theater
  • Language: en
  • Pages: 389

Weill's Musical Theater

In the first musicological study of Kurt Weill’s complete stage works, Stephen Hinton charts the full range of theatrical achievements by one of twentieth-century musical theater’s key figures. Hinton shows how Weill’s experiments with a range of genres—from one-act operas and plays with music to Broadway musicals and film-opera—became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of "two Weills"—one European, the other American—Hinton adopts a broad and inclusive perspective, establishing criteria that allow aspects of continuity to emerge, particularly in matters of dramaturgy. Tracing his extraordinary journey as a composer, the book shows how Weill’s artistic ambitions led to his working with a remarkably heterogeneous collection of authors, such as Georg Kaiser, Bertolt Brecht, Moss Hart, Alan Jay Lerner, and Maxwell Anderson.