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Architecture and Mathematics from Antiquity to the Future
Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics. Contributors of these chapters come from a wide range of disciplines and backgrounds: architects, mathematicians, historians, theoreticians, scientists and educators. Thro...
Two Cultures
The extraordinary range of cultural interests of renowned physicist David Speiser—including the sciences, art, architecture, music, and history of science—has inspired generations of later scientists to look beyond the boundaries of their own disciplines. In this book, seventeen scholars from various fields pay tribute to his multifaceted career, addressing topics as varied as music theory and the nuclear arms race.
Suspending Modernity: The Architecture of Franco Albini
Franco Albini’s works of architecture and design, produced between 1930 and 1977, have enjoyed a recent revival but to date have received only sporadic scholarly attention from historians and critics of the Modern Movement. A chorus of Italian voices has sung his praises, none more eloquently than his protégé, Renzo Piano. Kay Bea Jones’ illuminating study of selected works by Studio Albini will reintroduce his contributions to one of the most productive periods in Italian design. Albini emerged from the ideology of Rationalism to produce some of Italy’s most coherent and poetic examples of modern design. He collaborated for over 25 years with Franca Helg and at a time when professio...
Faces of Geometry
The volume reports on interdisciplinary discussions and interactions between theoretical research and practical studies on geometric structures and their applications in architecture, the arts, design, education, engineering, and mathematics. These related fields of research can enrich each other and renew their mutual interest in these topics through networks of shared inspiration, and can ultimately enhance the quality of geometry and graphics education. Particular attention is dedicated to the contributions that women have made to the scientific community and especially mathematics. The book introduces engineers, architects and designers interested in computer applications, graphics and geometry to the latest advances in the field, with a particular focus on science, the arts and mathematics education.
Bruce Nauman
To date, scholars explored Bruce Nauman’s oeuvre through various perspectives, concepts and premises, including linguistics, performance, power and knowledge, sound, the political and more. Amidst this vast and rich field, Nauman’s pieces have been regarded by critics in terms of systematic skepticism, tragic skepticism, skepticism of the medium, and linguistic doubt. This book methodically analyzes the notion of performative skepticism and its relevance to various dimensions of Bruce Nauman’s post-minimalist artistic practice. It is argued that Nauman performs the perpetual failure of perception, hence, demonstrating its doubtful validity to produce certain knowledge without allowing a resolution. This kind of skepticism, here called performative skepticism, exposes the impossibility of epistemological equipment to produce knowledge, and the impossibility of attaining certainty in bridging the gap between knowledge and the real.
Nexus Network Journal 10,1
Leonardo da Vinci was well aware of the fundamental importance of mathematics for architecture. This book examines Leonardo’s knowledge of theoretical mathematics, explores how he used concepts of geometry in his designs for architectural projects, and reports on a real-life construction project using Leonardo’s principles. Authors include Sylvie Duvernoy, Kim Williams, Rinus Roelofs, Biagio Di Carlo, Mark Reynolds, João Pedro Xavier, Vesna Petresin, Christopher Glass, and Jane Burry.
Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900
Graphic Signs Of Authority in Late Antiquity and the Early Middle Ages offers a cultural history of the graphic monogrammatic tools from antiquity to the Middle Ages. It examines the sign of the cross, christograms, monograms, and other similar devices, and how they were used during a time of great socio-political and religious change.
Nexus Network Journal 14,1
The Winter 2012 (vol. 14 no. 1) issue of the Nexus Network Journal is dedicated to the theme “Architecture, Systems Research and Computational Sciences”. This is an outgrowth of the session by the same name which took place during the eighth international, interdisciplinary conference “Nexus 2010: Relationships between Architecture and Mathematics, held in Porto, Portugal, in June 2010. Today computer science is an integral part of even strictly historical investigations, such as those concerning the construction of vaults, where the computer is used to survey the existing building, analyse the data and draw the ideal solution. What the papers in this issue make especially evident is that information technology has had an impact at a much deeper level as well: architecture itself can now be considered as a manifestation of information and as a complex system. The issue is completed with other research papers, conference reports and book reviews.
Nexus Network Journal 8,2
This book presents an exploration of the arch from the points of view of architecture, mathematics, engineering, construction history, and cultural symbolism. Leonardo da Vinci described the arch as "two weaknesses which, leaning on each other, become a strength," a metaphor for the way that science and art lean on each other to strengthen our lives.
Nexus Network Journal 8,1
From ancient to modern, architects have looked for fundamental underlying principles of geometry and proportion on which to found their designs. Such principles not only provide an order for the formal elements, they ground the architecture in timeless values and provide an order for the formal elements, they ground the architecture in timeless values and provide a source of cultural meaning. This book illustrates the use of fundamental principles of geometry and proportion in two ancient cultures, the Bronze Age and the Roman Age, as well as in twentieth-century North America.
