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n the Divine Realm, to kill a god is to become one yourself. But who would dare try? Alex Connor's life was turned upside down when the god of light Arre summoned him to the world of Lehask. Alex went from being an ordinary high school student who loved fantasy games to living in a true fantasy world. Despite that the only monsters he'd ever killed were on his computer screen, Arre compelled him to kill the Demon King. Against all odds, the former nerd gamer completed the mission, but he was badly wounded and the friends he brought along to help him fell. As payment for his bittersweet victory, the evil avatar attempted to kill him and murdered the girl he loved. Following his narrow escape from Arre, Alex is found by a powerful mage who hides, heals, and apprentices him. Using transformative magic, Alex makes himself stronger and harder as he plots his revenge. But, to take on the demiurge who betrayed him, he'll need to be nearly invincible…and ready to face rivals on other planets in the Divine Realm if and when he becomes a god himself.
This is the World War I roll of honour of all Royal Navy, Royal Marines and Royal Naval Division men and women lost, including Dominions and Empire, 1914-1918. Information taken from Admiralty death ledgers, Admiralty communiqués and other official sources.
Khyber is Istorica for the exiles, the one entrusted with remembering all their history, everything they've learned. Despite the support of her grandmother, Dayree, Khyber feels she's let down her family by not being able to step between worlds and take the exiles home. She has many gifts, but her talent for telling stories becomes the most important, when it offers the exiles a chance to reach out and find other exiles from Rehdonna. However, enemies have followed the exiles to Earth, and the only way to protect her family and village is to live separated from them under a false name. For the sake of the exiles, Khyber will do whatever it takes...and in the process find her way home.
Troubling Images explores how art and visual culture helped to secure hegemonic claims to the nation-state via the construction of a unified Afrikaner imaginary Emerging in the late nineteenth century and gaining currency in the 1930s and 1940s, Afrikaner nationalist fervour underpinned the establishment of white Afrikaner political and cultural domination during South Africa’s apartheid years. Focusing on manifestations of Afrikaner nationalism in paintings, sculptures, monuments, buildings, cartoons, photographs, illustrations and exhibitions, Troubling Images offers a critical account of the role of art and visual culture in the construction of a unified Afrikaner imaginary, which helpe...
First published in 1970, this book is a faithful representation of the original edition of Beltaine, a literary magazine edited by W. B. Yeats from May 1899 to April 1900. Beltaine was the first of several magazines of the Irish Literary Theatre (later to become The Abbey Theatre) in which Yeats’s editorial role was of utmost importance. It was an occasional publication and focused on promoting current works of Irish playwrights whilst challenging those of their English opponents. The magazine mainly consists of a series of essays on the theatre in Dublin, and supplementing these are explanations and discussions of new plays, excerpts from which are often included. This book will be of interest to those with an interest in Yeats, early nineteenth-century literature, and Irish theatre.
Covers the period from 1790 to 1905 in The Times of London.
Great writers of the past whose works we still read and love will be read forever. They will survive the test of time. We remember authors of true genius because their writings are simply the best. Or . . . might there be other reasons that account for an author’s literary fate? This original book takes a fresh look at our beliefs about literary fame by examining how it actually comes about. H. J. Jackson wrestles with entrenched notions about recognizing genius and the test of time by comparing the reputations of a dozen writers of the Romantic period—some famous, some forgotten. Why are we still reading Jane Austen but not Mary Brunton, when readers in their own day sometimes couldn’...