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Ireland's incredible artistic heritage is celebrated in this entertaining, enlightening book. From the Newgrange kerbstone to Francis Bacon's studio, Bhreathnach-Lynch takes us through a history of Irish art in 50 works, celebrating each along the way.
At the time of his death in 1945, Albert Power was the leading nationalist sculptor in the Irish Free State, yet within a few decades he was almost forgotten. This first major examination of his life and career tells of one artist’s contribution to national identity before and after political independence. In sculpture, at that time, the emphasis was on creating a pantheon of ‘new’ Irish heroes by means of monumental and portrait commissions. Power’s work, however, sprang from deeply held nationalist beliefs and he felt that subject matter alone was insufficient to ensure a distinctive Irish art. Wherever possible he deliberately chose native stone, believing that this best conveyed a nationalist sentiment, such as the limestone he used in the beloved monument to Padraic Ó Conaire in Galway. His political commissions from 1922 onward reveal the new State’s desire for a national political and cultural identity, and in this book Power’s sculpture is explored both at the time of its production and within the broader context of writers and artists who wished to contribute to the new nation’s cultural identity, a legacy that modern Ireland enjoys today.
Until recently little attention was paid to the role of art in constructing the "story" of the Irish nation. This wide-ranging study of Irish pictures and sculpture opens up the subject by providing a fresh interdisciplinary approach. Each work is analyzed beyond its strictly art historical relevance. A deeper investigation into the context in which a work was produced reveals much about the aspirations and ideological ambitions of artists, those commissioning works, and the viewing public. The study of such diverse topics as the representation of the Irish peasant, the behind-the-scenes tensions in setting up a national gallery for Ireland, the erecting of political monuments, Church art, West of Ireland landscape painting, and the difference in nationalistic fervor among artists as diverse as Albert G. Power and Jack B. Yeats unveil fascinating testimony about Ireland's collective national "needs" and its constructs of identity.
This title was first published in 2003. The essay collection explores the conjunctions of nation, gender, and visual representation in a number of countries-including Ireland, Scotland, Britain, Canada, Finland, Russia and Germany-during the nineteenth and twentieth centuries. The contributors show visual imagery to be a particularly productive focus for analysing the intersections of nation and gender, since the nation and nationalism, as abstract concepts, have to be "embodied" in ways that make them imaginable, especially through the means of art. They explore how allegorical female figures personify the nation across a wide range of visual media, from sculpture to political cartoons and ...
This is a biography of Henry's life & artistic achievements, especially his idyllic landscape paintings of the west of Ireland.
While gender has been the subject of extensive critical inquiry, the debate has focused primarily on the human, particularly the female, body. The spaces bodies occupy and the ways in which those spaces are depicted in landscape art has not, however, been subject to investigation. This book is the first sustained attempt to fill this gap in art history.
This collection of essays from scholars based in Ireland, England, Canada and the United States addresses the symbolic representation of nationalist history in words, pictures and the plastic arts.
This collection shows how the marginal territory of the water's edge has been represented in art in different places at various times and how such art contributed to the formation of cultural and national identities. Essays explore visual cultures of the Jordan and Vltava Rivers; the South African seaside resort of Durban; post-Hurricane Katrina New Orleans; and the French Riviera, among other margins of river and sea.
A rare, well-preserved example of the specialised military mining techniques employed in siege warfare.