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In his foreword to World Report on Violence and Health, published by the World Health Organization (WHO) in 2002, Nelson Mandela states that “the twentieth century will be remembered as a century marked by violence”. Now we are nearly at the end of the first quarter of the twenty-first century, but violence still permeates in our lives at various levels. Various forms of violence occurring at levels of interpersonal, self-directed, collective, state, warfare, child and youth violence, intimate partner violence, environmental violence, and animal violence lay bare the complexity and pervasiveness of the phenomenon, yet it also brings along the necessity to discuss violence from multiple p...
"Shades of Violence: Multidisciplinary Reflections on Violence in Literature, Culture, and Arts" explores the tapestry of violence across diverse forms of artistic expression, expertly edited by Sümeyra Buran, Mahinur Akşehir, Neslihan Köroğlu, and Barış Ağır. From the gripping introduction to the thought-provoking chapters contributed by an array of scholars, this collection navigates the multifaceted dimensions of violence. Muhsin Yanar's exploration of Don DeLillo's work calls for a posthumanist stance against violence, while Begüm Tuğlu Atamer questions the justification of violence in Shakespeare's "Titus Andronicus." The anthology expands its reach, examining slow violence in...
Technologies of Feminist Speculative Fiction: Gender, Artificial Life, and the Politics of Reproduction explores how much technology has reshaped feminist conversations in the decades since Donna Haraway’s influential “Cyborg Manifesto” was published. With sections exploring reproductive technologies, new ways of imagining femininity and motherhood via artificial means, queer readings of gender as a social technology, and posthuman visions of a world beyond gender, this book demonstrates how feminist speculative fiction offers an urgently needed response to the intersections of women’s bodies and technology. This collection brings together authors from Europe, Japan, the US and the UK to consider speculative films and texts, reproductive technologies and food futures, and opportunities to rethink family, aging, gender and sexuality, and community through feminist speculative fiction, a social technology for building better futures.
Turkish science fiction dates back to the early years of the twentieth century and serious development has been seen ever since. The writers, who escaped from the darkness of the First World War and took refuge in utopian science fiction, added the excitement created by science and technology to their texts over time. Turkish writers, who followed the science fiction works from the West and made efforts for the development of this genre, produced very qualified works that could compete with their contemporaries at some points. However, due to some historical, social, and economic problems, it was not possible for these works to meet readers in the West. In this anthology, the works of Turkis...
The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-b...
Much has been said on particular feelings that appear in Nietzsche's works, such as pity, revenge, altruism, guilt, shame, and ressentiment. But there has not been a significant study on Nietzsche's overall teachings on feeling and emotion. What does Nietzsche mean by feeling and the related phenomena? Out of such disparate types of feelings and disparate reflections by Nietzsche on them, can one make sense or can one speak of a theory of feelings in Nietzsche? If so, how does this theory fit with his philosophy of value? On the other hand, how do his teachings relate to some of the later concepts of his philosophy such as the overhuman, the will to power and the eternal return of the same? ...
Available Open Access under CC-BY-NC licence. Femicide, the killing of women and girls because of their gender, was until recently included in the category ‘homicide’, obscuring the special features of this social and gendered phenomenon. However, the majority of murders of women are perpetrated by men whom they know from family ties and are the result of intimate partner violence or so-called 'honour' killings. This book is the first one on femicide in Europe and presents the findings of a four-year project discussing various aspects of femicide. Written by leading international scholars with an interdiscplinary perspective, it looks at the prevention programmes and comparative quantitative and qualitative data collection, as well as the impact of culture. It proposes the establishment of a European Observatory on Femicide as a new direction for the future, showing the benefits of cross-national collaboration, united to prevent the murder of women and girls.
Focusing on three representation of posthuman bodies as cloned bodies in Kazuo Ishiguro’s Never Let Me Go (2005), toxic bodies in Indra Sinha’s Animal’s People (2007), and cyborg bodies in Justina Robson’s Natural History (2004) from the theoretical perspectives of posthuman definition of what it means to be human, this study discusses the changing concept of the body. In this context, the integral and dynamic connection between a human body and the world is of special significance, which opens up new possibilities to reconfigure the human body that is no longer conceded separate from the nonhuman world but embodied in it. Each of the novels significantly displays the in-betweenness of humans by making them interact with chemical substances, machines, and other nonhuman entities, and shows how clear-cut distinctions between the human and the nonhuman bodies have collapsed.
The study intervenes in a field hitherto dominated by formal and historical analyses of the literary letter. Across the five case studies, the method of reading epistolarity as a motif is applied to a selection of American novels published after 1990: Nick Bantock’s Griffin & Sabine series (1991-2016), Gordon Lish’s Epigraph (1996), Mark Dunn’s Ella Minnow Pea (2001), Marilynne Robinson’s Gilead (2004), and Louise Erdrich’s Future Home of the Living God (2017). The texts encompass considerable formal and thematic variations: Bantock seeks a return to the literary letter; Lish and Dunn test the limitations of letters for conveying individual experience to a distant other; Robinson and Erdrich envision epistolarity as an address to a future. Exploring the employment of epistolarity as a motif, the study offers an interpretation of the messages these fictions extend for readers in a post-letter world. Communication technologies and practices may change, but epistolarity as a motif - a reprise of a scene of encounter that depends on keeping a distance between addresser and addressee – remains a deeply compelling site of inquiry in twenty-first-century literature.
This interdisciplinary study undertakes a profound exploration of the representation and symbolism surrounding female genitalia, seeking to challenge entrenched patriarchal narratives. By delving into works by Charles Burns, Angela Carter, and Patrick Süskind, the analysis unveils the intricate interplay between female sexuality and the male psyche. Employing the works of feminist theorists such as Luce Irigaray, Julia Kristeva, Hélène Cixous, Barbara Creed, Riana Eisler, Bracha Ettinger, and Marija Gimbutas, this analysis places the androcentric views reflected in the works of Freud, Lacan and Jung under scrutiny. Departing from conventional approaches, this research celebrates the reproductive features of women, aiming to resurrect a primordial representation rooted in procreational power. Drawing from diverse fields including myth, psychology, archaeology, philosophy, and religion, the study illuminates the layers of unconscious thought embedded in literary works. Ultimately, this study advocates for a non-binary understanding of femininity, positioning the female reproductive body as an enduring gateway between animate and inanimate realms; both alluring and repelling.