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"Shades of Violence: Multidisciplinary Reflections on Violence in Literature, Culture, and Arts" explores the tapestry of violence across diverse forms of artistic expression, expertly edited by Sümeyra Buran, Mahinur Akşehir, Neslihan Köroğlu, and Barış Ağır. From the gripping introduction to the thought-provoking chapters contributed by an array of scholars, this collection navigates the multifaceted dimensions of violence. Muhsin Yanar's exploration of Don DeLillo's work calls for a posthumanist stance against violence, while Begüm Tuğlu Atamer questions the justification of violence in Shakespeare's "Titus Andronicus." The anthology expands its reach, examining slow violence in...
Technologies of Feminist Speculative Fiction: Gender, Artificial Life, and the Politics of Reproduction explores how much technology has reshaped feminist conversations in the decades since Donna Haraway’s influential “Cyborg Manifesto” was published. With sections exploring reproductive technologies, new ways of imagining femininity and motherhood via artificial means, queer readings of gender as a social technology, and posthuman visions of a world beyond gender, this book demonstrates how feminist speculative fiction offers an urgently needed response to the intersections of women’s bodies and technology. This collection brings together authors from Europe, Japan, the US and the UK to consider speculative films and texts, reproductive technologies and food futures, and opportunities to rethink family, aging, gender and sexuality, and community through feminist speculative fiction, a social technology for building better futures.
Turkish science fiction dates back to the early years of the twentieth century and serious development has been seen ever since. The writers, who escaped from the darkness of the First World War and took refuge in utopian science fiction, added the excitement created by science and technology to their texts over time. Turkish writers, who followed the science fiction works from the West and made efforts for the development of this genre, produced very qualified works that could compete with their contemporaries at some points. However, due to some historical, social, and economic problems, it was not possible for these works to meet readers in the West. In this anthology, the works of Turkis...
Vol. 1 No. 2 (2021): Dossier: Philosophical Posthumanism Session at the 42nd Annual KJSNA Meeting Editorial Sümeyra Buran, Çağdaş Dedeoğlu 137-138 Posthuman Media Studies J.J. Sylvia IV 139-151 Sympoietic Art Practice in Co-expressive Re-worlding with Hegel’s “Vegetal Subject” Lin Charlston, David Charlston 153-166 Collaging the Posthuman into the Postnatural Dennis Summers 167-178 Surreal Femininity: Nature and “Woman” in the Art of Marguerite Humeau Margaryta Golovchenko 179-193 Commentaries & Interviews The Posthumanist Dimension of the Novel Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk A Commentary Malgorzata Kowalcze 225-228 Transhumanism, Nietzsche and Po...
In his foreword to World Report on Violence and Health, published by the World Health Organization (WHO) in 2002, Nelson Mandela states that “the twentieth century will be remembered as a century marked by violence”. Now we are nearly at the end of the first quarter of the twenty-first century, but violence still permeates in our lives at various levels. Various forms of violence occurring at levels of interpersonal, self-directed, collective, state, warfare, child and youth violence, intimate partner violence, environmental violence, and animal violence lay bare the complexity and pervasiveness of the phenomenon, yet it also brings along the necessity to discuss violence from multiple p...
Focusing on three representation of posthuman bodies as cloned bodies in Kazuo Ishiguro’s Never Let Me Go (2005), toxic bodies in Indra Sinha’s Animal’s People (2007), and cyborg bodies in Justina Robson’s Natural History (2004) from the theoretical perspectives of posthuman definition of what it means to be human, this study discusses the changing concept of the body. In this context, the integral and dynamic connection between a human body and the world is of special significance, which opens up new possibilities to reconfigure the human body that is no longer conceded separate from the nonhuman world but embodied in it. Each of the novels significantly displays the in-betweenness of humans by making them interact with chemical substances, machines, and other nonhuman entities, and shows how clear-cut distinctions between the human and the nonhuman bodies have collapsed.
What distinguishes humanity from artificial beings? What do constructed creatures tell us about ourselves? From sex dolls to Siri, talking Barbies to the Bride of Frankenstein, Artificial Women explores the ways in which today's simulated females—both real and fictional—reflect and expose our own ideas about gender and female identity. Join Julie Wosk as she probes the realm of compliant sex workers, nurturing caretakers, genial servants, and rebellious creations in film, television, literature, art, photography, and current developments in robotics. These modern-day Galateas must embrace their own synthetic nature while also striving for authenticity and autonomy, all the while foregrou...
The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-b...
Much has been said on particular feelings that appear in Nietzsche's works, such as pity, revenge, altruism, guilt, shame, and ressentiment. But there has not been a significant study on Nietzsche's overall teachings on feeling and emotion. What does Nietzsche mean by feeling and the related phenomena? Out of such disparate types of feelings and disparate reflections by Nietzsche on them, can one make sense or can one speak of a theory of feelings in Nietzsche? If so, how does this theory fit with his philosophy of value? On the other hand, how do his teachings relate to some of the later concepts of his philosophy such as the overhuman, the will to power and the eternal return of the same? ...
Available Open Access under CC-BY-NC licence. Femicide, the killing of women and girls because of their gender, was until recently included in the category ‘homicide’, obscuring the special features of this social and gendered phenomenon. However, the majority of murders of women are perpetrated by men whom they know from family ties and are the result of intimate partner violence or so-called 'honour' killings. This book is the first one on femicide in Europe and presents the findings of a four-year project discussing various aspects of femicide. Written by leading international scholars with an interdiscplinary perspective, it looks at the prevention programmes and comparative quantitative and qualitative data collection, as well as the impact of culture. It proposes the establishment of a European Observatory on Femicide as a new direction for the future, showing the benefits of cross-national collaboration, united to prevent the murder of women and girls.