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Being Consumed
Should Christians be for or against the free market? For or against globalization? How are we to live in a world of scarcity? William Cavanaugh uses Christian resources to incisively address basic economic matters -- the free market, consumer culture, globalization, and scarcity -- arguing that we should not just accept these as givens but should instead change the terms of the debate.Among other things, Cavanaugh discusses how God, in the Eucharist, forms us to consume and be consumed rightly. Examining pathologies of desire in contemporary "free market" economies, Being Consumed puts forth a positive and inspiring vision of how the body of Christ can engage in economic alternatives. At every turn, Cavanaugh illustrates his theological analysis with concrete examples of Christian economic practices.
Migrations of the Holy
Whether one thinks that religion continues to fade or has made a comeback in the contemporary world, there is a common notion that religion went away somewhere, at least in the West. But William Cavanaugh argues that religious fervor never left it has only migrated toward a new object of worship. In Migrations of the Holy he examines the disconcerting modern transfer of sacred devotion from the church to the nation-state. In these chapters Cavanaugh cautions readers to be wary of a rigid separation of religion and politics that boxes in the church and sends citizens instead to the state for hope, comfort, and salvation as they navigate the risks and pains of mortal life. When nationality bec...
Theopolitical Imagination
A critique of modern Western civilization, including contemporary concerns of consumerism, capitalism, globalization, and poverty, from the perspective of a believing Catholic. Responding to Enlightenment and Postmodernist views of the social and economic realities of our time, Cavanaugh engages with contemporary concerns--consumerism, late capitalism, globalization, poverty--in a way reminiscent of Rowan Williams (Lost Icons), Nicholas Boyle (Who Are We Now?) and Michel de Certeau. "Consumption of the Eucharist," he argues, "consumes one into the narrative of the pilgrim City of God, whose reach extends beyond the global to embrace all times and places." He develops the theme of the Eucharist as the basis for Christian resistance to the violent disciplines of state, civil society and globalization.
Cavanaugh
Cavanaugh is not Kavanaugh, and Kavanaugh is not Cavanaugh. Yet when Cavanaugh, a pencil-pushing, number-crunching, "middling, middle-aged middleman," reluctantly buys a bobblehead of the controversial Supreme Court justice for his innocent young daughter at a minor league baseball game, past traumas are retriggered, households unravel, and a mysterious inner voice reawakens, knocking Cavanaugh off the wagon and steering him headlong into the hillocky and tortuous terrain of the surreal and absurd. With a narrative that charms and intoxicates sentence-by-sentence, Cavanaugh is not only a bleak comedy of the reverberating repercussions set off by a single fraught decision, but also a darkly poignant reminder that no matter how rigorously we endeavor to seek refuge from what haunts us, memory will always find a way to creep into the din of our surroundings, forcing itself upon us against our will and, inevitably, of those we love most.
Leaving Home
Robbie Connerty, the youngest of a large Irish family, decides to leave home, mistakenly believing that he was an unwelcomed addition to the family.
Torture and Eucharist
In this engrossing analysis, Cavanaugh contends that the Eucharist is the Church's response to the use of torture as a social discipline.
The Myth of Religious Violence
Cavanaugh challenges conventional wisdom by examining how the twin categories of religion and the secular are constructed. He examines how timeless and transcultural categories of 'religion and 'the secular' are used in arguments that religion causes violence.
Ali Cavanaugh
Modern Fresco Paintings is the first collection of Ali Cavanaugh's paintings, andit follows her entire career using watercolor on kaolin clay to create hermodern fresco technique and the lovely work that flows from it. Beginning withher hyper-realistic portraits and ending with her latest, more free-flowingpictures, her use of light, color, and the human form captures the essence ofher models and their forms and feelings in a particular moment. Cavanaugh's artistic sensibilitywas developed by two important events in her childhood. Her dependence on the visualworld began when she lost much of her hearing through spinal meningitis whenshe was two, and her creative spirit developed out of her b...
This Journal Belongs to Ratchet
Move over Diary of a Wimpy Kid—there's a new journal in town and it belongs to Ratchet. "A book that is full of surprises...Triumphant enough to make readers cheer; touching enough to make them cry." —Kirkus, STARRED Review If only getting a new life were as easy as getting a new notebook. But it's not. It's the first day of school for all the kids in the neighborhood. But not for me. I'm homeschooled. That means nothing new. No new book bag, no new clothes, and no new friends. The best I've got is this notebook. I'm supposed to use it for my writing assignments, but my dad never checks. Here's what I'm really going to use it for: Ratchet's Top Secret Plan Turn my old, recycled, freakish, friendless life into something shiny and new. This Florida State Book Award gold medal winner is a heartfelt story about an unconventional girl's quest to make a friend, save a park, and find her own definition of normal.
Field Hospital
Compelling social perspectives from a prominent Catholic scholar Pope Francis in a 2013 interview famously likened the church to a field hospital. In this book William Cavanaugh adopts Pope Francis's metaphor to show how the church can help heal both the spiritual and the material wounds of the world. As he examines the intersection of theology with themes of religious freedom, economic injustice, religious violence, and other pressing topics, Cavanaugh emphasizes that the church cannot condemn the evils of the world from a position of superiority. Rather, he says, its practices of solidarity with humanity must be based on a profound recognition that the church shares in the guilt of human sin. Cavanaugh's Field Hospital provides guideposts for a church that is willing to go outside of itself onto today's battlefields -- both metaphorical and literal -- not to inflict wounds but to bind them up and heal them.
