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Critical Perspectives on Classicism in Japanese Painting, 1600-1700
In the West, classical art—inextricably linked to concerns of a ruling or dominant class—commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600–1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a "classical revival," "era of classicism," or a "renaissance." How did seventeenth-century artists and patrons imagine the past? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amor...
Japan and the Culture of the Four Seasons
"Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Shirane discusses textual, cultivated, material, performative, and gastronomic representations of nature. He reveals how this kind of 'secondary nature, ' which flourished in Japan's urban environment, fostered and idealized a sense of harmony with the natural world just at the moment when it began to recede from view. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane also clarifies the use of natural and seasonal topics as well as the changes in their cultural associations and functions across history, genre, and community over more than a millennium. In this book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world."--Back cover.
Gender and Power in the Japanese Visual Field
In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay "Gender in Japanese Art," which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edo-period advertising. A rare homoerotic picture-book is used to extrapolate the "grammar of desire" as represented in late seventeenth-century Edo. In the modern period, contributors consider the introductio...
Radicals and Realists in the Japanese Nonverbal Arts
Radicals and Realists is the first book in any language to discuss Japan’s avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. ...
On Uneven Ground
The history of literary and artistic production in modern Japan has typically centered on the literature and art of Tokyo, yet cultural activity in the country's regional cities and rural towns was no less vibrant. On Uneven Ground recovers pieces of this neglected history through the figure of Miyazawa Kenji (1896-1933). While alive, he remained a mostly unknown and unread provincial author whose experiments with narrative fiction, amateur theater, and farmer's art reveal an intense determination to reimagine and remake his native place, in the northeast of Japan, meaningful. Today, Miyazawa is one of the most recognized figures in Japan's modern literary canon. The story of his radical posthumous rise presents an opportunity to examine the larger history of how writing and other forms of artistic practice have intersected with place-based identity and the uneven geography of cultural production. The first book-length study of Miyazawa in English, On Uneven Ground centers on Miyazawa's life and writing to recreate a sense of what it was to write about and remake place from a spatially marginal position in the cultural field.
Clans and Genealogy in Ancient Japan
In recent years, there has been a noticeable and enthusiastic increase of interest in Buddhist temples and Shintō shrines in Japan. The legends of these temples and shrines are recorded in many historical manuscripts and these genealogies have such great significance that some of them have been registered as national treasures of Japan. They are indispensable to elucidate the history of these temples and shrines, in addition to the formation process of the ancient Japanese nation. This book provides a comprehensive examination of the genealogies and legends of ancient Japanese clans. It advances the study of ancient Japanese history by utilizing new analytical perspective from not only the well-known historical manuscripts relied upon by previous researchers, but also valuable genealogies and legends that previous researchers largely neglected.
The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors
The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors is a 2009 co-publication of the Cotsen Occasional Press and the UCLA Cotsen Institute of Archaeology Press. Volume I, The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors: Catalogue, includes an engaging foreword by Lloyd Cotsen, an overview of major Chinese dynasties and periods, and a brief history of Chinese bronze mirrors by Suzanne E. Cahill. This volume presents a detailed catalogue of the extensive Cotsen Collection through high-quality images and illustrations of the mirrors in their approximate chronological sequence. Volume II, a set of eleven scholarly essays, goes further to investigate these mirrors as a study co...
Capitalscapes
Following the destruction of Kyoto during the civil wars of the late fifteenth century, large-scale panoramic paintings of the city began to emerge. These enormous and intricately detailed depictions of the ancient imperial capital were unprecedented in the history of Japanese painting and remain unmatched as representations of urban life in any artistic tradition. Capitalscapes, the first book-length study of the Kyoto screens, examines their inception in the sixteenth to early seventeenth centuries, focusing on the political motivations that sparked their creation. Close readings of the Kyoto screens reveal that they were initially commissioned by or for members of the Ashikaga shogunate a...
