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In Search of Admiration and Respect examines the institutionalization of Chinese cultural diplomacy in the period between high imperialism and the international ascendance of the People's Republic of China. During these years, Chinese intellectuals and officials tried to promote the idea of China's cultural refinement in an effort to combat negative perceptions of the nation. Yanqiu Zheng argues that, unlike similar projects by more established powers, Chinese cultural diplomacy in this era was not carried out solely by a functional government agency; rather, limited resources forced an uneasy collaboration between the New York-based China Institute and the Chinese Nationalist government. In...
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Includes entries for maps and atlases.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lex Lu argues in Appearance Politics that crafting an appealing and powerful outward image has long been an essential political instrument in China. Its traces may be found in historical records, imperial portraits, physiognomic prognostications, photographs, posters, statues, and digital images. Employing rare archival materials from Beijing, Shanghai, and Nanjing, Lu tells the story of these political maneuverings. We learn the ways in which political actors and their agents designed their images, and we observe the shifting standards of male beauty that guided their decisions. Appearance Politics examines five case studies: the usurpation of Ming Prince Zhu Di; the rise of Manchu masculinity and its mixed standards of Han Chinese and Manchu beauty at the Yongzheng court; the use of modern photography and Western male beauty standards at the turn of the twentieth century; the making of the Republican founding father Sun Yat-sen; and the creation of visual templates of Mao Zedong. Lu's rich empirical study counters systematic stereotypical descriptions of Chinese male leadership embedded in Western media and scholarship.
"For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303–361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607–1685). Because his work spans the late Ming–early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change...
Salt and State is an annotated translation of a treatise on salt from Song China. From its inception in the Han dynasty (206 B.C.–220 A.D.), the salt monopoly was a key component in the Chinese government's financial toolkit. Salt, with its highly localized and large-scale production, was an ideal target for bureaucratic management. In the Song dynasty (960–1279), fiscal pressures on the government had intensified with increased centralization and bureaucratization. A bloated administration and an enormous standing army maintained against incursions by aggressive steppe neighbors placed tremendous strain on Song finances. Developing the salt monopoly seemed a logical and indeed urgent st...
The extensive ritual and mythological lore of the Chinese Triads form the scope of this new paperback title in Brill’s Scholars’ List. The author critically evaluates the extant sources and offers a wealth of contextual information. The core of the book is formed by a close reading of the initiation ritual, including the burning of incense, the altar, the enactment of a journey of life and death, and the blood covenant. Different narrative structures are also presented. These include the messianic demonological paradigm, political legitimation, and the foundation of myth. Triad lore is placed in its own religious and cultural context, allowing radically new conclusions about its origins, meanings and functions. This book is of special interest to social historians, anthropologists, and students of Chinese religious culture.