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Late for Tea at the Deer Palace
An exquisite multi-generational memoir of one family’s tempestuous century in Iraq from 1900 to the present. From the time leading up to Saddam's revolution, to life in exile and finally to the return to her lost, longed-for country, Late for Tea at the Deer Palace is Tamara Chalabi’s unique look at the history of Iraq told through the memories and experiences of her family.
Late for Tea at the Deer Palace: The Lost Dreams of My Iraqi Family
A lyrical, haunting, multi-generational memoir of one family’s tempestuous century in Iraq from 1900 to the present.
The Shi‘is of Jabal ‘Amil and the New Lebanon
Tamara Chalabi highlights the development of a 'politics of demand' and the increased political activism of this community in a time of great change. It also explores how Arab nationalism was transformed from an ideology of opposition and empowerment of marginal communities, into a tool for the assertion of political domination.
Traces of Survival
'Traces of Survival' communicates to the world visually the tragedies that have befallen entire communities in Iraq due to the ISIS onslaught that has left over 1.8 million people internally displaced. The drawings in this book were created by the refugees in three camps in northern Iraq. Representatives from the Ruya Foundation took simple art materials to the camps-- sketch books, pencils, felt tip pens, pastels, erasers and sharpeners-- and invited people to tell the world about their feelings and experiences through their drawings and words.
Alain Elkann Interviews
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Serwan Baran: Fatherland
Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of ?fatherland? as opposed to what we traditionally understand as ?motherland.? Mixing curatorial texts by Tamara Chalabi and Natasha Gasparian with a series of poems and original letters from the 1980s written by Iraqi soldiers and collected by the artist during the years, Fatherland is both a reflective document that echoes Baran?s work and a commentary on the masculine and paternalistic dimension of the political culture in Iraq, a country dominated by men who have often enacted oppressive ideologies. 00Exhibition: Iraqi pavilion, La Biennale di Venezia, Venice, Italy (11.05.-24.11.2019).
Testing the Canon of Ancient Near Eastern Art and Archaeology
This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.
Welcome to Iraq
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Latif Al Ani
-First complete overview of Latif al Ani's work Latif al Ani (born 1932, Baghdad) is known as the father of Iraqi photography. He was the first to capture cosmopolitan life in Iraq from the 1950s to the '70s. His black and white images represent a unique visual archive of the country during its 20th-century heyday. Al Ani photographed Iraq's vibrant culture in all its abundance and complexity; as well as documenting the country's westernised everyday life, political culture and industry, he also captured images of Iraq from the air for a British-owned oil company. Later, under Saddam Hussein's oppressive regime, Al Ani ceased photographing. For a long time, nothing was heard of the artist. T...
Afghan Hearts & Minds
Shafie Ayar was a 17-year-old medical student at Kabul University when the Russians invaded Afghanistan.
