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Being Poland
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland's return to independence. Conceived to address the lack of critical scholarship on Poland's cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland's modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.
New Perspectives on Polish Culture
New Perspectives in Polish Culture: Personal Encounters, Public Affairs collects essays that examine the public-private dynamic as Polish culture-from the nineteenth century to the present day-interacts with the tensions, ambiguities, and idiosyncrasies of European modernity. The authors of these essays discuss Polish poetry, fiction, theatre, and literary and cultural theory. Writers and artists discussed in these essays range from Adam Mickiewicz and Joseph Conrad through Witold Gombrowicz, Miron Bialoszewski, Czeslaw Milosz, Zofia Nalkowska, and Tadeusz Kantor to Slawomir Mrożek, Tadeusz Rożewicz, the poets of bruLion, and the latest dramatists, as well as many other authors active both in Poland itself and in the Polish diaspora.
The Post-traumatic Theatre of Grotowski and Kantor
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
A Generic History of Travel Writing in Anglophone and Polish Literature
A Generic History of Travel Writing in Anglophone and Polish Literature offers a comprehensive, comparative and generic analysis of developments of travel writing in Anglophone and Polish literature from the Late Medieval Period to the twenty-first century. These developments are depicted in a wider context of travel narratives written in other European languages.
Polish Literature and National Identity
"Although for half a century East-Central Europe was part of the Soviet empire and was subject to its "civilizing" mission, its colonial status escaped the attention of most postcolonial critics. It still remains a blank spot in global studies of postcolonialism. In Polish Literature and Identity: A Postcolonial Landscape Dariusz Skórczewski argues for the advantages of applying postcolonial thought to Polish realities; at the same time, he modifes the theoretical framework worked out by other postcolonialists. The book seeks to reveal how Poland's two lines of experience-one of foreign hegemony since the late 1700s through 1989 (excluding a short period of sovereignty between the two world...
Rethinking Modern Polish Identities
A critical examination of the category of "Polishness" - that is, the formation, redefinition, and performance of various kinds of Polish identities - from a wide range of disciplinary perspectives. Inspired by new research in the humanities and social sciences as well as recent scholarship on national identities, this volume offers a rigorous examination of the idea of Polishness. Offering a diversity of case studies and methodological-theoretical approaches, it demonstrates a profound connection between national and transnational processes and places the Polish case in a broader context. This broader context stretches from a larger Eastern European one, a usual frame of comparison, to the ...
Urban Popular Culture and Entertainment
This book is part of an ongoing transnational turn in cultural history. Studies on the history of urban popular culture and the entertainment industries increasingly engage with the European or global circulation of genres, actors, and shows, especially during the period of massive growth and expansion of the sector from the 1870s to the 1930s. Nevertheless, a large part of this research remains focused on exchanges between Western and Central European, and North American metropolises. To provide a fuller picture of the emergence and cross-border transfer of different genres of popular culture, this volume investigates Northern, East Central, and Southern European cities and their relations ...
Olga Tokarczuk
Filling a significant gap in contemporary criticism of recent prose fiction, this book offers a provocative analysis of the work of Nobel Laureate Olga Tokarczuk, situating her output in comparative contexts. The chapters making up the volume range from myth-critical focused readings to interdisciplinary and intercultural perspectives. Tokarczuk’s fiction is explored as mythopoeic and heterotopian experimentation, as well as being read alongside other arts and other authors of various national and linguistic backgrounds. This wide-ranging collection is the first monograph on Tokarczuk in English.
