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Human cultures have evolved a distinctive set of semiotic signs to indicate 'home', the place one returns to. This book surveys a wide range of semiotic signs which communicate the message 'home', including architectural elements, decorative devices and protective graphic symbols defined within a broad spectrum of societies and time periods. The role of such semiotic signs in marking and defining human dwelling places is analyzed, and the connection between a specific statement of cultural meaning ('This is my home') and the way this meaning is shared through cultural artifacts and visual symbols is examined. This analysis should be especially useful to students interested in an overview of semiotic signs, combining aspects of linguistics with the history of archetypes, semiotic theory, architectural history, and discussion of icons, indices and symbols.
On cover and title page: House, committees of the whole House, general committees and select committees
The papers in this volume were presented at the 8th Workshop on Algorithms and Data Structures (WADS 2003). The workshop took place July 30–August 1, 2003, at Carleton University in Ottawa, Canada. The workshop alternates with the Scandinavian Workshop on Algorithm Theory (SWAT), continuing the tradition of SWAT and WADS starting with SWAT’88 and WADS’89. In response to the call for papers, 126 papers were submitted. From these submissions, the program committee selected 40 papers for presentation at the workshop. In addition, invited lectures were given by the following distinguished researchers: Gilles Brassard, Dorothea Wagner, Daniel Spielman, and Michael Fellows. Atthisyear’swor...
Doctoral Thesis / Dissertation from the year 2014 in the subject Communications - Public Relations, Advertising, Marketing, Social Media, University of North Texas (College of Information), course: Digital User Behavior, language: English, abstract: More than 70 million people worldwide have "pinned" personal image collections since Pinterest's launch in 2010. This book explores the unique sense-making behaviors of independent user-curators actively contributing to an evolving social digital collection. Image naming practices are examined using a matrix including Panofsky's three strata of iconological subject matter and a range of Wittgenstein's language game attributes. The exploratory approach taken in this book is especially helpful for information professionals seeking a springboard for further discussions on emerging user needs in digital image curation as well as for researchers interested in user naming behavior in social media collections.
Contains the 4th session of the 28th Parliament through the session of the Parliament.