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"To the Latest Posterity is filled with examples of family registers from museum and private collections, many of them never before published, including early handmade work as well as printed registers that were filled in by hand in the nineteenth century. Bringing the art into the twentieth century and beyond, the Earnests discuss the adoption of the art by the Amish, who continue the practice of illuminated family record keeping today."--Jacket.
Historians of the early Republic are just beginning to tell the stories of the period&’s ethnic minorities. In Foreigners in Their Own Land, Steven M. Nolt is the first to add the story of the Pennsylvania Germans to that larger mosaic, showing how they came to think of themselves as quintessential Americans and simultaneously constructed a durable sense of ethnicity. The Lutheran and Reformed Pennsylvania German populations of eastern Pennsylvania, Maryland, and the Appalachian backcountry successfully combined elements of their Old World tradition with several emerging versions of national identity. Many took up democratic populist rhetoric to defend local cultural particularity and ethn...
Cloth was one of the most important commodities in the early modern world, and colonial North Americans had to develop creative strategies to acquire it. Although early European settlers came from societies in which hand textile production was central to the economy, local conditions in North America interacted with traditional craft structures to create new patterns of production and consumption. The Weaver's Craft examines the development of cloth manufacture in early Pennsylvania from its roots in seventeenth-century Europe to the beginning of industrialization. Adrienne D. Hood's focus on Pennsylvania and the long sweep of history yields a new understanding of the complexities of early A...
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"The 134 illustrations in Flying Leaves and One-Sheets demonstrate the typographical skills of German-language printers in North America from the mid 1750s to 1876. Selected for graphic appeal, range of subject matter, and historic interest, these broadsides show the attitudes and literary appetites of Pennsylvania Germans as expressed in printed matter. Known for their love of color and decoration, Pennsylvania Germans often hand-illuminated broadsides so that many are classified as fraktur. Flying Leaves and One-Sheets will appeal to readers in Pennsylvania German visual arts, culture, and history."--BOOK JACKET.
Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- Acknowledgments -- INTRODUCTION: Pennsylvania German Studies -- PART 1 HISTORY AND GEOGRAPHY -- 1. The Old World Background -- 2. To the New World: Seventeenth and Eighteenth Centuries -- 3. Communities and Identities: Nineteenth to the Twenty-First Centuries -- PART 2 CULTURE AND SOCIETY -- 4. The Pennsylvania German Language -- 5. Language Use among Anabaptist Groups -- 6. Religion -- 7. The Amish -- 8. Literature -- 9. Agriculture and Industries -- 10. Architecture and Cultural Landscapes -- 11. Furniture and Decorative Arts -- 12. Fraktur and Visual Culture -- 13. Textiles -- 14. Food and Cooking -- 15. Medicine -- 16. Folklore and Folklife -- 17. Education -- 18. Heritage and Tourism -- 19. Popular Culture and Media -- References -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Color plates follow page
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Provides a new "state" quilt books to add to your collection, while you enjoy the projects and historical inspiration it provides Only book to cover quilts documented by the Wisconsin Quilt History Project - part of a nationwide effort to preserve quilting Storytelling - is as old as humanity, and quilting is among the most prolific mediums. Wisconsin Quilts brings readers 100 antique quilts stitched by immigrants between the 1800s and the mid-20th century, through times of war, economic development and depression, with continued perseverance. You will learn about the history of the day, and gain information about 10 of the quilt blocks used to create each the various quilts featured.
Quilting has a rich history in Maine and America and its popularity has surged in recent years as people return to traditional handcrafts. The history of quilting in Maine is a story of community and Maine State Museum curator Laurie LaBar coaxes stories out of objects and uses those stories to enlighten, entertain, and bring new voices to Maine history. The first book of its kind, Maine Quilts 250 Years ofComfort and Community is the accompanying volume to a major two-year exhibit at the Maine State Museum. Stories abound, and lesser known aspects of the state’s history are brought to light, but the star attractions are the quilts themselves. Ranging from surviving Colonial era quilts to present day creations, more than 150 are presented in full color.