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Hu Shih (1891-1962),. In the 1910s, Hu studied at Cornell University and later Columbia University, both in the United States. At Columbia, he was greatly influenced by his professor, John Dewey, and became a lifelong advocate of pragmatic evolutionary change. He received his Ph.D. in Philosophy in 1917 and returned to lecture at Peking University. Hu soon became one of the leading and most influential intellectuals during the May Fourth Movement and later the New Culture Movement. His most widely recognized achievement during this period was as a key contributor to Chinese liberalism and language reform in his advocacy for the use of written vernacular Chinese. Hu Shih was the Republic of C...
Award-winning artist Qu Lei Lei offers an inspirational view of art from the Chinese perspective. Instead of looking at the sketch as an end in itself, he focuses on the work as personal fulfillment for the artist and as a valued meditation. All the essential techniques are here--from choosing and using materials to mixing the ink to mastering brushstrokes. With the natural world as his subject, Lei Lei pulls out key features--water, trees, landscapes--and focuses on practical ways of depicting their different varieties. A master class covers techniques for capturing pets at play, and for conveying the spirit of all living creatures
He had just obtained a new space, yet his soul had already returned to another world. When he woke up again, in order to get rid of his family's superior goods, he hurriedly married a young peasant girl who no one dared to marry. The husband was a lame hunter, very poor and carrying a five-year-old mop bottle. Xu Qing had expressed that she wasn't going to submit! Cultivating farmland, raising livestock, making pastries, and brewing wine, these few days had turned into a blissful life. Hate relatives, fight over the highest quality, open a shop, make a lot of money, Wangfwang to the ancestral grave smoke. "My wife, look!" This is all because of your husband! " "I'll tell you when I'm done inserting the remaining seedlings!"
"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.