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Ted Shawn
In January 1969, just months before the Stonewall Riots, Ted Shawn (1891-1972) wanted to tell a story about how his life, writings, and dances contributed to the rapidly evolving gay liberation movement around him. Shawn died before he was able to put forth a candid account about how he, the "Father of American Dance," was homosexual, but he scrupulously archived his correspondence, diaries, photographs, and motion pictures of his dances, anticipating that the full significance of his choreography would reveal itself in time. Ted Shawn: His Life, Writings, and Dances tells that story.
Ted Shawn
Ted Shawn (1891-1972) is the self-proclaimed "Father of American Dance" who helped to transform dance from a national pastime into theatrical art. In the process, he made dancing an acceptable profession for men and taught several generations of dancers, some of whom went on to become legendary choreographers and performers in their own right, most notably his protégés Martha Graham, Louise Brooks, Doris Humphrey, and Charles Weidman. Shawn tried for many years and with great frustration to tell the story of his life's work in terms of its social and artistic value, but struggled, owing to the fact that he was homosexual, a fact known only within his inner circle of friends. Unwilling to d...
Gods who Dance
None
Dance, Sex, and Gender
"Ambitious in its scope and interdisciplinary in its purview. . . . Without doubt future researchers will want to refer to Hanna's study, not simply for its rich bibliographical sources but also for suggestions as to how to proceed with their own work. Dance, Sex, and Gender will initiate a discussion that should propel a more methodologically informed study of dance and gender."—Randy Martin, Journal of the History of Sexuality
Dance We Must
The Peabody lectures of 1938 delivered at the George Peabody College for Teachers in Nashville. Reprint of the original edition without illustrations. First published in Great Britain by Dennis Dobson in 1946.
Barton Mumaw, Dancer
An intimate portrait of American modern dance and gay life in the 1930s.
Modern Bodies
In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of ...
Ted Shawn, Father of American Dance
"The first revealing, in-depth, full-length biography of the most important male figure in American dance: Ted Shawn (1891-1972), dancer, choreographer, teacher (of Martha Graham, Doris Humphrey, Charles Weidman), innovator, partner with his wife Ruth St. Denis in the famed Denishawn Company, founder of Jacob's Pillow. Using exclusive materials (oral, written, photographic), America's most important dance critic explores Shawn's enormous influence on the entire spectrum of the dance. It was Ted Shawn who brought the concept of virility to male dancing in America and made it thereby (especially through his later all-male dance groups) both exciting as theater and respectable as a career."--Book jacket.
Bliss Carman
The tarnished reputation of this turn-of-the-century poet is persuasively burnished anew by fifteen scholars, editors, and poets. Published in English.
Shawn's Fundamentals of Dance
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
