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Anthologizing Shakespeare, 1593-1603
Between 1599 and 1601, no fewer than five anthologies appeared in print with extracts from Shakespeare's works. Some featured whole poems, while others chose short passages from his poems and plays, gathered alongside lines on similar topics by his rivals and contemporaries. Appearing midway through his career, these anthologies marked a critical moment in Shakespeare's life. They testify to the reputation he had established as a poet and playwright by the end of the sixteenth century. In extracting passages from their contexts, though, they also read Shakespeare in ways that he might have imagined being read. After all, this was how early modern readers were taught to treat the texts they r...
Anthologizing Shakespeare, 1593-1603
Between 1599 and 1601, no fewer than five anthologies appeared in print with extracts from Shakespeare's works. Some featured whole poems, while others chose short passages from his poems and plays, gathered alongside lines on similar topics by his rivals and contemporaries. Appearing midway through his career, these anthologies marked a critical moment in Shakespeare's life. They testify to the reputation he had established as a poet and playwright by the end of the sixteenth century. In extracting passages from their contexts, though, they also read Shakespeare in ways that he might have imagined being read. After all, this was how early modern readers were taught to treat the texts they r...
Performing Restoration Shakespeare
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.
Immigration Nation
An examination of the role played by aid, from donors, International Organisations and NGOs, in everyday border and migration control.
Faces in the Street
She struggled to get women the vote. Her son was Australia's most famous writer. They drove each other crazy. Meticulously researched big Aussie historical novel that takes the lid off the world of Louisa Lawson and Henry Lawson and their circle of radical friends: revolution, poverty, love affairs, madness, drunkenness, sedition, terrorism, passionate hopes, and friendships with some of Australia's most remarkable people. Much historical info here is not in their biographies. Good stuff - experientially, politically, anecdotally, stylistically, narratively, romantically, alcoholically. What more can one say? -- Douglas Houston, PhD, co-editor of the Oxford 'Good Fiction Guide'.
The Power of Necessity
Exploring reason of state in a global monarchy, The Power of Necessity examines how thinkers and agents in the Spanish monarchy navigated the tension between political pragmatism and moral-religious principle. This tension lies at the very heart of Counter-Reformation reason of state. Nowhere was the need for pragmatic state management greater than in the overstretched Spanish Empire of the seventeenth century. However, pragmatic politics were problematic for a Catholic monarchy steeped in ideals of justice and divine justifications of power and kingship. Presenting a broad cast of characters from across Europe, and uniting published sources with a wide range of archival material, Lisa Kattenberg shows how non-canonical thinkers and agents confronted the political-moral dilemmas of their age by creatively employing the legitimizing power of necessity. Pioneering new ways of bridging the persistent gap between theory and practice in the history of political thought, The Power of Necessity casts fresh light on the struggle to preserve the monarchy in a modernizing world.
Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King.
Singer in a Songless Land
At the turn of the twentieth century, Edward Tregear was one of New Zealand's most prominent citizens and widely published intellectuals. He was an authority on Maori and Polynesian studies, a controversial 'socialist' and secretary of the Department of Labour, and a key player in attempts to form a united political labour movement in New Zealand. He was also a social critic, novelist and poet. This biography traces Tregear's career from his youthful days on the 1860s frontier as an anguished, exiled Briton to his position as eminent antipodean figure singing the praises of 'national culture' in New Zealand.
Shakespeare and Science
As a figurehead for the literary humanities, and a dramatist whose plays feature fairies, ghosts, and spirits, Shakespeare may not be the first author that comes to mind when thinking about science. Tom Rutter shows, however, that in his plays and poetry Shakespeare made detailed use of the knowledge and theories of the cosmos, the natural world, and human biology that were available to him. These range from astronomical and anatomical ideas derived from medieval scholars, Islamic philosophers, and ancient Greek and Roman authorities, through to the challenges issued to those earlier models by more recent figures such as Copernicus and Vesalius. Shakespeare's treatment of these materials was...
