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It’s About Time. America has been craving leadership—and at last a gun-slinging, mega-rock star, deerslayer, and patriot has stepped forward to provide it. Make way for Ted Nugent. Cocked, locked, and ready to rock, the Motor City Madman, the thinking man’s Abraham Lincoln, has unleashed the ultimate high-octane political manifesto for the ages in Ted, White, and Blue—the most important patriotic statement since the Constitution. In Ted, White, and Blue you’ll discover: Why war is the answer to so many of our current problems Why if Ted were a Mexican, he’d start a revolution (and how, since he’s not, we can control our own borders) How to put Uncle Sam on a diet (a waste-watchers program for government) If you care about America, if you want to preserve, protect, and defend the land of the free and the home of the brave, if you’re fed up with lazy, whining, fear mongering, government-gorging Obamaniacs, then you need to read Ted, White, and Blue: The Nugent Manifesto.
A biography of Ted White, actor, stuntman, stunt coordinator and second unit director who worked with many of the film greats in the last half of the 20th Century and who gained renown for roles such as Jason in "Friday the 13th: The Final Chapter" and for roles in such films as "Jewel of the Nile," "Starman," "Rio Bravo," "Hatari," and others.
The International Bestseller 'With clarity and compassion, DiAngelo allows us to understand racism as a practice not restricted to "bad people." In doing so, she moves our national discussions forward. This is a necessary book for all people invested in societal change' Claudia Rankine Anger. Fear. Guilt. Denial. Silence. These are the ways in which ordinary white people react when it is pointed out to them that they have done or said something that has - unintentionally - caused racial offence or hurt. After, all, a racist is the worst thing a person can be, right? But these reactions only serve to silence people of colour, who cannot give honest feedback to 'liberal' white people lest they...
Straight from the Motor-City Madman comes his wildest, most politically incorrect book yet. In his trademark unapologetic style, Nugent praises God, guns, and red-blooded Americanism.
This third volume in Mike Ashley's four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the
1993 - After 25 years of exile in Vietnam, James Curtis returns to the United States with a vengeance. He brings with him skills acquired surviving in the under-belly of black marketing, extortion and murder. His mission is revenge. James Curtis is an expert at manipulation and recruits old friendships as he evades the law while staying on mission. He becomes the primary target of two senior FBI agents as they follow his blood trail cross country. Who is his target? Join in the chase as you turn the pages.
A collection of interviews with Terry Bisson, Marion Zimmer Bradley, John Brunner, Jonathan Carroll, Robert Holdstock, Ellen Kushner, Ursula K. Le Guin, Fritz Leiber, Ray Faraday Nelson, Frederik Pohl, Dan Simmons, Lawrence Watt-Evans, and Gene Wolfe.
A Piece of My Mind "transforms a self-confessed case of writer's block into a continuously inventive and thought-provoking comedy" (Charles Spencer, London Daily News) "The portrait of a marriage and his strained relationship with his teenage children all seem to come straight from the heart. They are all the more affecting for being described in the context of such immaculate artifice" (Charles Spencer, London Daily News)