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The Pathogenesis of Fear gathers together diverse conversations about cultural constructions of the monstrous. Interdisciplinary essays map the margins of monstrosity as follows: the cannibalistic paradox in Kleist’s late-Romantic Penthesilea; intersections of the monstrous-feminine and the new Victorian psycho-physiology of consciousness in George Eliot’s early novels; the monster-formed citizens of Dickensian and later dystopias; the killing of African Americans targeted as monstrous entities in US cities; the post-human anguish of a television zombie-world; the monstrous mutilations of a Spanish horror film; psychosocial aberration in Martin Millar’s werewolf fiction; the demonization of the Other on the war-torn streets of Ireland; Derridean devouring sovereignty. Discursively correlated with different categories of body and mind, monstrosity, these essays argue, persists in taking many forms. Contributors are Elizabeth Hollis Berry, Niculae Gheran, Sarah Harris, Fiona Harris-Ramsby and Mubarak Muhammad, Michaela Marková, Kimberley McMahon Coleman, Judith Rahn, Cindy Smith and Marita Vyrgioti.
Forensic archaeology is mostly defined as the use of archaeological methods and principles within a legal context. However, such a definition only covers one aspect of forensic archaeology and misses the full potential this discipline has to offer. This volume is unique in that it contains 57 chapters from experienced forensic archaeological practitioners working in different countries, intergovernmental organisations or NGO’s. It shows that the practice of forensic archaeology varies worldwide as a result of diverse historical, educational, legal and judicial backgrounds. The chapters in this volume will be an invaluable reference to (forensic) archaeologists, forensic anthropologists, hu...
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This volume was first published by Inter-Disciplinary Press in 2016. The present e-book contains contributions by scholars from all over the world who gathered to present their research, exchange ideas and comments while advancing discourse on the main topic. The purpose of the book is to analyze the meaning behind different representations of monsters and monstrosity in different types of media and cultural contexts. Two main categories have become the basis for the chapters of the volume: Monsters in Literature and the Monsterization of the Other. The various topics approached range from discussions on graphic and dystopian novels, classic monster figures like Medusa or the image of the vampire and zombie. The talks also included discussions of works by great film directors such as Pedro Almodóvar, media representation of police and black bodies in everyday life and authors such as Martin Millar, George Eliot, George Orwell, Alan Moore and Terry Pratchett.
Una extraordinaria novela de iniciación sobre una mujer joven que encuentra su voz en el mundo ahora en una edición en Español. / An extraordinary coming-of-age story of a young woman finding her voice in the world, now in a Spanish language edition. El último día de 1964, la quinceañera Ana Canción se casa con Juan Ruiz, un hombre veinte años mayor que ella, en el campo dominicano. Al día siguiente se vuelve Ana Ruiz, una esposa confinada a un apartamento de un cuarto en Washington Heights. Juan la engaña, abusa y controla, hasta le prohíbe aprender inglés. Después de un intento fallido de fuga, Ana se entera de que está embarazada. Su madre y su esposo comparan su embarazo a ...
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