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Class I. Foreign relations. 6 v. 1st Cong.-20th Cong., 1st sess., April 30, 1789-May 24, 1828.--class II. Indian affairs. 2 v. 1st Cong.-19th Cong., May 25, 1789-March 1, 1827.--class III. Finance. 5 v. 1st Cong.-20th Cong., 1st sess., April 11, 1789-May 16, 1828.--class IV. Commerce and navigation. 2 v. 1st Cong.-17th Cong., April 13, 1789-Feb. 25, 1823.--Class V. Military affairs. 7 v. 1st Cong.-25th Cong., 2d sess., Aug. 10, 1789-March 1, 1838.--class VI. Naval affairs. 4 v. 3d Cong.-24th Cong., 1st sess., Jan 20, 1794-June 15, 1836.--class VII. Post Office department. 1 v. 1st Cong., 2d sess.-22d Cong., Jan. 22, 1790-Feb. 21, 1883.--class VIII. Public lands. 8 v. 1st Cong.-24th Cong., July 1, 1790-Feb. 28, 1837.--class IX. Claims. 1 v. 1st Cong., 2d sess.-17th Cong., Feb. 5, 1790-March 3, 1823.--class X. Miscellaneous. 2 v. 1st Cong.-17th Cong., April 17, 1789-March 3, 1823
My Home As I Remember describes literary and artistic achievements of First Nations, Inuit and Metis women across Canada and the United States, including contributions from New Zealand and Mexico. Their voices and creative expression of identity and place are richly varied, reflecting the depth of the culturally diverse energy found on these continents. Over 60 writers and visual artists are represented from nearly 25 nations, including writers such as Lee Maracle, Chrystos and Louise Bernice Halfe, and visual artists Joane Cardinal-Schubert, Teresa Marshall, Kenojuak Ashevak, Doreen Jensen and Shelley Niro; and some who are published for the first time in this landmark volume. Lee Maracle is the author of numerous books, including Ravensong. Sandra Laronde, writer/actor, is Executive Director of Native Women in the Arts.
"The National Gallery of Canada: Ideas, Art, and Architecture examines the National Gallery as an institution, a collection, and a series of sites for the display of the nation's art. Douglas Ord explores how, throughout the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art and sheds light on the place and the role of art in Canada."--Résumé de l'éditeur.
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The...
Tricksters, medicine shows, and ghosts are some of the story elements discussed in this collection of essays about First Nations Canadian authors. Posing questions about how such folklore adds to the country's collective memory, the essays look at Ben Cardinal's No Name Indians and Generic Warriors; Tomson Highway's The Sage, the Dancer and the Fool; Billy Merasty's Fireweed; Beatrice Mosionier's Night of the Trickster; and Floyd Favel Starr's Lady of Silences. An eye-opening look at Native Canadians as they negotiate their way through white culture, the book also offers insights on Native Americans in similar predicaments in movie westerns and the musical Oklahoma!
Other Conundrums, copublished with Vancouver's Artspeak Gallery and the Kamloops Art Gallery, is an extraordinary collection of essays on Canadian artists of colour by Monika Kin Gagnon, one of Canada's most respected art writers and curators. The essays explore the history of cultural production in this country with an emphasis on race, cultural difference, and cultural hybridity. Using specific artists and exhibitions as a starting-point for Gagnon's discussions, these essays, and the artists she writes about, are firmly grounded in Canadian cultural events, artistic projects, and theoretical ideas concerning race and culture which have circulated in often disparate contexts for the last d...
How and to what degree are women worldwide gaining and using power? This book offers the first genuinely comparative assessment of this key question by exploring the conditions, actions, and accomplishments of women in Latin America and Asia. Encompassing 60 percent of the world's population and experiencing far-reaching transformations, these two regions offer a vital window into our understanding of the experiences of women globally. Revealing both basic similarities and fundamental differences, this volume offers thoughtful insights about the changing conditions of women, on the one hand, and, on the other, about patterns of social change throughout Asia and Latin America.