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Indian Art
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Myths and Symbols in Indian Art and Civilization
A landmark work that demystifies the rich tradition of Indian art, Myths and Symbols in Indian Art and Civilization analyzes key motifs found in legend, myth, and folklore taken directly from the Sanskrit. It provides a comprehensive introduction to visual thinking and picture reading in Indian art and thought. Ultimately, the book shows that profound Hindu and Buddhist intuitions on the riddles of life and death are universally recognizable.
Trends in Modern Indian Art
Trends in Modern Indian Art is a study of Indian Art from the end of 19th century to 1990. Indian Art started with academic realism of Raja Ravi Varma at the close of the 19th century. Abanindranath Tagore who was trained by Samuel Palmer and Japanese artist. Okakura, established the wash process of water colour painting known as the Bengal School in the beginning of the 20th century. His disciples like Nandalal Bosa and Ventappa further elaborated the style of the Bengal School later known as the Oriental Style.
Northwest Coast Indian Art
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, f...
Elements of Indian Art
The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.
American Indian Art
Even the earliest European explorers to the Americas collected objects made by native people. The ongoing fascination with the artistic and cultural expressions of American Indian people is documented historically, along with a close look at seven midwestern collections. The wide array of art encompassed is handsomely illustrated, and includes pottery, weavings, basketry, beadwork, and carvings. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Looking Again at Indian Art
The book offers its readers an enlivening introduction to the various art forms exhibited in temples,mosques,caves,shrines and ancient monuments of India. The author Vidya Dehejia takes us on a journey of rediscovery through a representative selection of sites from Elephanta on the West coast to Konarak on the East,from the Himalayan ranges in the North to Srirangam in the South-all in the time spam from 1st century B.C. to 18th century A.D. Due importance has been given to particular art sites and objects, in selecting monuments reflective of the art of different parts of the country.Each theme has been prefaced with a general introduction to its artistic style.The book is richly illustrated,well researched and written in a vivid and lucid style,which speaks of the author's deep grasp of her subject.
Indian Art: Inventing
This book is a compilation of art work by 28 artists against the variety of forms that have developed since the 1990s.
Rembrandt and the Inspiration of India
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
