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Highlights of Art
The phenomenal painting collection of the Thyssen-Bornemisza family, which contains substantial holdings in Northern and Italian Renaissance, the Italian Baroque, modern, and contemporary painting, is now housed in Madrid. The present catalog features good- quality color reproductions of each painting, with a page or two on each artist's biography and the collection's work. A short introduction tells the history of the collection and its new building. Perez-Jofre, who worked with the collection for six years following its installation in the Palacio Villahermosa, is an independent art historian. c. Book News Inc.
Manet and Modern Beauty
This stunning examination of the last years of Édouard Manet's life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s. The name Manet often evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet’s elegant social world, propose a rad...
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Citizens and Kings
Portraiture was at a crossroads from 1770-1830, a period when the influence of monarchs and aristocrats waned in favor of the new pioneers of democracy. This catalogue traces the evolving presentation of the portrait sitter, with sumptuous full-color reproductions of works by masters presented alongside lesser-known but equally intriguing pieces. An international team of scholars provides valuable information on sitters as well as artists, plus discussions of key works from the Enlightenment and revolutionary period.
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Museos y comunicación. Un tiempo de cambio
Presentación. La situación de la comunicación en los museos españoles. Trinidad Vacas Guerrero. Comunicación efectiva en los museos. La exposición permanente en el Museo Nacional de Ciencias Naturales CSIC. Eusebio Bonilla Sánchez. La comunicación en los museos desde la perspectiva de la Museología crítica. El Museo Nacional Centro de Arte Reina Sofía. Antonio J. Sánchez Luengo. La comunicación en los museos de arte: de la crítica de arte al marketing. El caso del Museo Thyssen-Bornemisza. Teresa Pérez-Jofre Santesmases. Prensa y programas de comunicación en el Museo del Traje CIPE. La Web 2.0 como medio de comunicación. Esther Jodar. Patrimonio cultural del territorio. Una propuesta para la creación de un Centro de Interpretación de la arquitectura popular del Abadengo (Salamanca) José Manuel Castaño Blanco.
