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The Neallys
Suzanne Nelson was raised just outside of San Francisco. A Stanford grad and varsity runner, she heads to New York City for law school. She is gay, but has come out to no one. In New York she meets Kerry Neally, a New Yorker and fellow student. Who is straight. First in a study group and then as a pair, they find themselves become attached to one another. And have to work out that Kerry thinks she's straight. Eileen is Kerry's mother. She is a widow, and meeting Suzanne helps her leave the shell into which she placed herself after her husband died. And she comes to the attention of two men. One a widower. The other divorced. And love intevenes for her choice. With Suzanne settled into her New York life, she turns her back on her parents, who turned their backs on Suzanne's aunt Mary, a gay woman disowned by her parents and brother decades before. She, too, lives in New York and she and Eileen attempt to get Suzanne's parents to understand their daughter. Kate Nelson comes to New York to reason with her daughter. As eventually does William, her father. The story is about how the members of what becomes a large New York family deal with themselves, each other, and love.
A Killer's Prayer
Born the younger of two twin sons, Jeffery Barton was adopted and given up by his parents because of a coal miner''s poverty. Little did his new parents, the Kerseys, know they had just adopted a serial killer. Read with me as Jeffery Kersey crosses the states one by one killing as the genes inherited by his uncle Harley Barton flows through his veins. Killing sometimes at will other times for need, and sometimes for the thrill of killing, knowing Scott Murphy, Federal Bureau of Investigations is one step behind him. Scott Has vowed to get his man. Jeffery praying always to God to end his madness.
Buster Keaton's Crew
Buster Keaton told an interviewer in 1965, "When I'm working alone, the cameraman, the prop man, the electrician, these are my eyes out there.... They knew what they were talking about." Drawn from film trade magazines, newspapers, interviews and public records, this book tells the previously unpublished stories of the behind-the-scenes crew who worked on Keaton's silent films--like Elgin Lessley, who went from department store clerk to chief cameraman, and Fred Gabourie, who served as an army private in the Spanish American War before he became Keaton's technical director. "I'd ask, 'Did that work the way I wanted it to?' and they'd say yes or no," Keaton said of his crew. He couldn't have made his films without them.
Bathing Beauty - A Novel of Marie Prevost
During Hollywood’s infancy, Marie Prevost is a beautiful Canadian who becomes famous for her silent film work with Mack Sennett’s Bathing Beauties.Lured away by an offer from Universal Pictures, she makes more profitable flapper-themed movies, and when her contract ends, she moves to Warner Brothers, where her star continues to rise. Her triumph in Ernst Lubitsch’s The Marriage Circle and her marriage to actor Kenneth Harlan mark her as one of filmdom’s biggest stars of the 1920s. But in 1926, a series of tragedies combine to torpedo her career. By the 1930s, with her star fallen, Marie desperately claws her way back, fighting weight gain and alcohol in her struggle to get back on top. In Bathing Beauty, Marie tells the story of her rise to fame and her struggle to regain it, despite all the odds.
Urban Transportation Innovations Worldwide
This handbook of urban transportation planning presents case studies detailing 40 best practices from 33 states in the U.S. and 19 countries on six continents. Cities around the world have improved transportation options for their citizens. Roadways have seen the addition of walkways and bicycle lanes, and light-rail transit systems have reduced street traffic. These cities have decreased reliance on personal cars and enhanced their urban environments by reducing congestion, pollution, and the number and width of roadways. This volume discusses the dynamic field of urban transportation planning and provides resources for planning professionals and public officials interested in obtaining additional information on the latest trends.
Charlie Chaplin at Keystone and Essanay
Charlie Chaplin is universally hailed as the greatest comedic talent in the history of motion pictures. And yet Chaplin's early efforts-which account for more than half of his total output-are often overlooked in favor of his later films. In 1914 Chaplin appeared in a total of 35 films for the Keystone Film Company; the following year he signed with the Essanay Film Manufacturing Company, where he wrote, directed and starred in more than a dozen short comedies. Though the resulting pictures were frequently crude and erratic, they reveal the emergence of a formidable comic genius. Charlie Chaplin at Keystone and Essanay: Dawn of the Tramp is a film-by-film examination of this period in Chaplin's career, tracing the birth of his beloved 'Tramp" character and his evolution as an actor and filmmaker. Also discussed are how these movies have been re-edited, recopied, reissued and retitled over the years, with a special section that matches pseudonym titles to their original source film. Charlie Chaplin at Keystone and Essanay: Dawn of the Tramp is a fascinating look at the first celluloid steps taken by this legendary laughmaker, and is a must for all Chaplin fans, old and new.
From Mae to Madonna
Entertainers were the first group of successful women to capture the public eye, taking to the stage in vaudeville and film and redefining their place in society. June Sochen introduces the white, African American, and Latina women who danced on Broadway, fell on bananas in silent films, and wisecracked in smoky clubs, as well as the modern icons of today's movies and popular music. S ochen considers such women as Mae West, Bette Davis, Shirley Temple, Lucille Ball, and Mary Tyler Moore to discover what show business did for them and what they did for the world of entertainment. She uses the life of 30s and 40s Latina star Lupe Velez as a case study of the roles available to Latinas in popul...
Flickers of Desire
Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards...
