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The Student Loan Scam
In this in-depth exploration and expos of the predatory nature of the student loan industry, Collinge argues that student loans have become the most uncompetitive and oppressive type of debt in American history. In this clarion call for social action, the author offers pragmatic solutions.
Actresses on the Victorian Stage
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
Searching for the Open Door
This story is an inspirational demonstration of what courage determination and sheer will power can accomplish in the face of seemingly life destroying injuries. The message here is don't underestimate what can be accomplished with will and support.
Shaw's People
How could Bernard Shaw have found anything to admire in Queen Victoria? Or in the passionate evangelical "General" William Booth of the Salvation Army? What possible connections could there be between Shaw, the passionate socialist, and the Tory Winston Churchill, who seemed to represent everything Shaw should have rejected and despised? In Shaw's People, noted Shaw scholar Stanley Weintraub explores the relationships between Shaw and twelve of his contemporaries, including Queen Victoria, Oscar Wilde, H. L. Mencken, James Joyce, and Winston Churchill. Weintraub chose these individuals as lenses through which to look at Shaw but also for the ways in which their lives are illuminated through ...
Ellen Terry and Bernard Shaw
Brevveksling mellem den engelske skuespillerinde Ellen Terry (1847-1928) og forfatteren George Bernard Shaw (1856-1950)
O.J. Is Innocent and I Can Prove It
Nicole Brown Simpson and Ron Goldman were brutally murdered at her home on Bundy Drive in Brentwood, California, on the night of June 12, 1994. The days and weeks that followed were full of spectacle, including a much-watched car chase and the eventual arrest of O. J. Simpson for the murders. The televised trial that followed was unlike any that the nation had ever seen. Long since convinced of O. J.’s guilt, the world was shocked when the jury of the “trial of the century” read the verdict of not guilty. To this day, the LAPD, Los Angeles District Attorney’s office, mainstream media, and much of the world at large remain firmly convinced that O. J. Simpson got away with murder. Acco...
The Devil You Know
"When a justice of the Supreme Court is killed by the police officer assigned to protect him, the country is shocked. Hayley Chill's superiors suspect the assassination is part of a major conspiracy. In Maui, where one member of the Supreme Court owns a vacation home, a busload of children is taken hostage with the justice's death as ransom. Together with a deputy US marshal, Hayley embarks on the monumental task of rescuing the children while also protecting the justice. But with danger around every corner and no one to trust, has Hayley finally bitten off more than she can chew?"--
Women in Modern Drama
An abundance of rich and memorable female roles is one of the most striking features of turn-of-the-century European drama. Gail Finney traces the source of this phenomenon to large-scale upheavals in prevailing contemporary attitudes toward women. She cites two major developments in particular: the culmination in the years 1880–1920 of the first feminist movement; and Freud's formulation of his theories of sexuality, which emphasize differences between the sexes. Taking into account these strong, sometimes conflicting intellectual currents, Women in Modern Drama explores the dynamics of gender identity and family relationships in major plays by European make dramatists, including Ibsen, Strindberg, Shaw, Wilde, Schnitzler, Synge, Hofmannsthal, Wedekind, and Hauptmann.
