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Shakespeare and Victorian Women
The first full-length study of Shakespeare's influence on Victorian women writers, actresses and readers.
The Cambridge Companion to the Fin de Siècle
Publisher description
Actresses on the Victorian Stage
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
Victorian Fiction
The Victorian period saw some of the most important developments in Britain's history: rapid industrialization, social and welfare reform, ground-breaking scientific discoveries. All this lead to an unprecedented rise in literacy and had their impact on fiction of the time. Mapping the developments in fiction against the key political, cultural, and social events of the nineteenth century, this book looks at issues of humanism, domestic politics, religion, colonialism, class identity, and sexuality, while at the same time providing an introduction to the works of Dickens, the Brontes, Thackeray, Gaskell, Trollope, Eliot, Collins, Gissing, Hardy, and Stevenson.
Shakespeare in the Nineteenth Century
An illustrated collection of new essays with valuable reference material on the performance and reception of Shakespeare's plays.
Jameson, Cowden Clarke, Kemble, Cushman
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Anna Jameson, Mary Cowden Clarke, Frances Anne Kemble and Charlotte Cushman to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.
Nineteenth-Century Literature in Transition: The 1850s
Establishing a fresh critical paradigm, this volume shows how the 1850s was significantly defined by forms of increasing intellectual, class, and geographical mobility. It saw the flourishing of major Victorian writers, including George Eliot, Elizabeth Gaskell, Charles Dickens, W. M. Thackeray, Matthew Arnold, Charles Kingsley, Anthony Trollope, Tennyson, and Elizabeth Barrett and Robert Browning. Outputs by these writers were read alongside a variety of other genres, including travel writings, learned society reports, statistical returns, popular journalism, working-class writing, and scientific papers in a period which saw an increasing availability of cheap printed matter. Intertextuality and interdisciplinarity are not only key to this volume, but are also one of the most important legacies of the literature of the 1850s. Contributors are attentive to a plethora of voices, disciplines, and forms of knowledge which they read through rigorous 21st-century critical priorities including diversity, cultural and physical geography, and the environment.
Remediating Shakespeare in the Eighteenth and Nineteenth Centuries
Remediating Shakespeare in the Eighteenth and Nineteenth Centuries analyzes literary remediations of Shakespeare’s works, particularly those written for young readers. This book explores adaptations, revisions, and reimaginings by Lewis Theobald, the Bowdlers, the Lambs, and Mary Cowden Clarke, among others, to provide a theoretical account of the poetics and practices of remediating literary texts. Considering the interplay between the historical fascination with Shakespeare and these practices of adaptation, this book examines the endless attempt to mediate our relationship to Shakespeare. Howard Marchitello investigates the motivations behind various forms of remediation, ultimately expanding theories of literary adaptation and appropriation.
Victorian Shakespeare
What did the Victorians think of Shakespeare? The twelve essays gathered here offer some answers, through close examination of works by leading nineteenth-century novelists, poets and critics including Dickens, Trollope, Eliot, Tennyson, Browning and Ruskin. Shakespeare provided the Victorians with ways of thinking about the authority of the past, about the emergence of a new mass culture, about the relations between artistic and industrial production, about the nature of creativity, about racial and sexual difference, and about individual and national identity.
The Selected Works of Margaret Oliphant
Margaret Oliphant Wilson Oliphant (1828–97) is one of the most important writers of the nineteenth century. She was both prolific and wide ranging in her career which spanned half a century. Primarily known as a novelist Mrs Oliphant is of interest to scholars today both for her wide popularity in her prime and her influential position as reviewer and journalist which saw her become an important critical voice for her generation. Her high profile in the literary world led to savage satirical portrayals in works by Anthony Trollope, Thomas Hardy and Henry James. This is the most ambitious and substantial scholarly edition of Margaret Oliphant’s writings ever undertaken. In six parts and t...
