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First published in 1937. The Book of Songs is a collection of ancient Chinese songs, dating from 800 to 600 B.C. Until this was published in 1937 it had not been translated into English since the middle of nineteenth century, when sinology was still in its infancy. For the first time the original meaning of 290 out of the 305 songs is given, use being made of the advances in the study of old Chinese. The result is not merely a clear picture of early Chinese life, but also the restoration to its proper place in world literature of one of the finest collection of traditional songs.
First published in 1952. The Real Tripitaka gives an account of the seventh century pilgrim's adventures, spiritual and material, both in India and after his return to China. In addition the book contains an account of a Japanese pilgrim's visit to China in the ninth century, which describes the Wu-t'ai Shan, China's great place of Pilgrimage, and an eye-witness's account of the great persecution of Buddhism in 842-845 A.D.
First published in 1958. This volume translates and places in the appropriate historical context a number of private documents, such as diaries, autobiographies and confessions, which explain what the Opium War felt like on the Chinese side.
This is a new release of the original 1949 edition.
In the fourth century BC three conflicting points of view in Chinese philosophy received classic expression: the Taoist, the Confucianist, and the "Realist." This book underscores the interplay between these three philosophies, drawing on extracts from Chuang Tzu, Mencius, and Han Fei Tzu.
First published in 1934. Unlike previous translations, this translation of Lao Tzu's Tao TĂȘ Ching is based not on the medieval commentaries but on a close study of the whole of early Chinese literature.
First published in 1960. Over a century ago the Chinese discovered in a sealed-up cave in the west of China a collection of manuscripts dating from the fifth century to the end of the tenth. These included many specimens of popular literature of a kind that was not previously known to exist. Although the find was made long ago, only two or three of these pieces had been translated before. Arthur Waley here translates, whole or as extracts, twenty-six pieces, making an invaluable addition to world literature.
Hailed recently as the greatest translator of Asian Literature ever to have lived, Arthur Waley (1889-1966) had an immeasurable influence on Western perceptions of Asia and on the development of Asian studies in the West. Waley was the single most important force in creating what the English-speaking public understood to be Japanese literature with his popular and critically acclaimed translations of Japanese poetry, no plays and the celebrated 11th-century court romance The Tale of Genji. This study of Waley and his Japanese translations provides a provocative examination of Waley's contribution to 20th-century English literature and culture. top graduate of Rugby and Cambridge and a younger member of the Bloomsbury Group. He examines how the social contexts influenced Waley's work and he further locates Waley's Japanese translations within the political contexts of the Japonism movement, British socialism and imperialism and the development of Japanese studies in England. How a cult of things Japanese in the early modern period in Britain led to the emergence of one of the 20th century's most important translators is an interesting story in itself.
The Analects are also called the Analects of Confucius, the Sayings of Confucius, or the Lun Yu, and are an old Chinese book written of a wide collection of ideas and sayings credited to the Chinese philosopher Confucius and his peers. It is believed to have been compiled and written by Confucius's followers. It might have been written during the Warring States period (477-221 BC), and it reached its final structure during the mid-Han dynasty (206 BC-220 AD). By the early Han dynasty, the Analects were thought of as simply a commentary on the Five Masterpieces, but the situation with the Analects developed to be one of the central texts of Confucianism toward the end of that dynasty. His essential goal in teaching his students was to produce ethically well-mannered men who might convey themselves with gravity, talk accurately, and demonstrate perfect integrity in all things.