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Wind chamber music has become an important part of the contemporary wind band program during the past half century, and now a most complete reference text has been written to provide any and all necessary information concerning repertoire. Winther lists over 500 works by instrumentation and provides guidance on timings, difficulty level, publisher sources, available recordings and his own insight into rehearsing and programming each individual work. This book will soon be required reading for every wind conductor and performer!
Ancestry magazine focuses on genealogy for today’s family historian, with tips for using Ancestry.com, advice from family history experts, and success stories from genealogists across the globe. Regular features include “Found!” by Megan Smolenyak, reader-submitted heritage recipes, Howard Wolinsky’s tech-driven “NextGen,” feature articles, a timeline, how-to tips for Family Tree Maker, and insider insight to new tools and records at Ancestry.com. Ancestry magazine is published 6 times yearly by Ancestry Inc., parent company of Ancestry.com.
The standard Ravel biography by the world's foremost authority — brilliantly detailed and documented, filled with quotations from letters, interviews with the composer's friends, an illuminating analysis of each of his works, a study of his musical esthetics and language, a complete catalog of his works, and a discography. "Highly recommended" — Choice. Includes 48 illustrations.
This book traces Fauré's life and the rich cultural milieu in which he lived and worked.
Paul Taffanel (1844-1908) is essentially the father of modern flute playing. Drawing on previously unavailable material from a private archive in Paris, Blakeman describes and evaluates Taffanel's life, career, and works, with particular reference to his influence as founder of the modern French School of flute playing.
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Vanishing Voices is neither a work of fiction nor a factual account of events in the French artistic world between 1900 and 1960, but instead falls somewhere in between. The ‘star’ of this story is the prodigiously talented but short-lived French composer Lili Boulanger (1893-1918), who left a small but significant legacy that leaves one to wonder what might have been had she lived even a few more years. Naturally, a story of Lili must include her sister Nadia, arguably the most famous music teacher of all time, as well as the likes of composers and musicians of the era – Debussy, Schmitt, Fauré, Ravel, etc. One of the few fictional characters in the tale is the pianist Claude-François Beaudoin, but even he is based in fact. His life and career are modeled on that of Paul Wittgenstein, who had lost his right arm in the First World War but carried onward as a left-handed pianist. Claude-François serves as the narrator of our tale and, in one of the few departures into pure fiction, the two fall in love, but cannot go far, as Lili’s health is too precarious.
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