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Uranians
"Playful and provocative . . . McCombs’s mix of heart and zany ideas is often reminiscent of George Saunders. Readers will find plenty of earthy and unearthly delights." —Publishers Weekly “I have been waiting for this sumptuous, prismatic collection for literal years. Theodore McCombs is a poet of queer pasts, presents, and futures, and Uranians is a formidable debut.” —Carmen Maria Machado, author of Her Body and Other Parties At the end of the Victorian era, a handful of public intellectuals advocated for tolerance of the “Uranian”—a man who loved other men. Some went so far as to propose that these “intermediate sexes” might, in fact, constitute a totally different sp...
Computing and Technology Ethics
A new approach to teaching computing and technology ethics using science fiction stories. Should autonomous weapons be legal? Will we be cared for by robots in our old age? Does the efficiency of online banking outweigh the risk of theft? From communication to travel to medical care, computing technologies have transformed our daily lives, for better and for worse. But how do we know when a new development comes at too high a cost? Using science fiction stories as case studies of ethical ambiguity, this engaging textbook offers a comprehensive introduction to ethical theory and its application to contemporary developments in technology and computer science. Computing and Technology Ethics: E...
We Are the Crisis
The long-awaited sequel to No Gods, No Monsters from award-winning author Cadwell Turnbull, We Are the Crisis sees humans and monsters clash as civil rights collide with preternatural forces. Three years after the Monster Massacre, members of Rebecca’s old wolf pack have begun to go missing without a trace. The world has undergone many changes in the years since monsters came out of the shadows. An anti-monster group known as the Black Hand has started to organize across the United States. In response, pro-monster organizations have been growing in numbers and militancy. Targeted killings of suspected monsters and their allies, monsters spirited away in the dead of night, and the beginnings of pro-monster legislation are all signs of a cosmic shift on the horizon. Is there any hope for lasting peace? Or are these events just precursors to a devastating monster-human war? Meanwhile, beneath it all, two ancient orders escalate their mysterious conflict, revealing dangerous secrets about the gods and the very origins of magic in the universe ...
The Ex-Human
Facing threats like climate change and nuclear warfare, science fiction authors have conjured apocalyptic scenarios of human extinction. Can such gloomy fates help us make sense of our contemporary crises? How important is the survival of our species if we wind up battling for an Earth that has become an unhabitable hellscape? What other possible futures do narratives of the end of humanity allow us to imagine? Michael Bérubé explores the surprising insights of classic and contemporary works of SF that depict civilizational collapse and contemplate the fate of Homo sapiens. In a lively, conversational style, he considers novels by writers including Ursula K. Le Guin, Margaret Atwood, Liu C...
The Best American Science Fiction and Fantasy 2019
The best science fiction and fantasy stories from 2018, guest-edited by National Book Award finalist Machado.
Hold Me Up
Drawing upon his teachings over the past 13 years and following up on his previous six titles, Grand Sheik Kudjo Adwo El goes in on the importance of keeping the instructions of the Noble Prophet Drew Ali in the forefront of this Divine and National Movement. The Grand Sheik expands on the metaphysics behind the tools left to us by our Prophet for our Earthly salvation. Topics covered include the science behind the turban, the national flag, the By-Laws and constitution, and more.
The Routledge Introduction to the American Ghost Story
This book traces the historical development of the American ghost story from its Indigenous, Puritan, and Enlightenment origins to its heyday in the nineteenth century and continued vibrancy in modern literary and visual culture. It explores the main tropes, thematic preoccupations, principal settings, and stylistic innovations of literary ghost stories in the United States, and the ghost story’s rich afterlife in cinema, television, and digital culture. Throughout, the role played by ghost stories in nation-building, and the questions these tales raise about race, class, sexuality, religion, and science, will be examined. The book examines major practitioners in the field, such as Nathaniel Hawthorne, Washington Irving, Shirley Jackson, Henry James, Stephen King, Toni Morrison, Joyce Carol Oates, and Edith Wharton, alongside prominent ghost narratives in cinematic, televisual, and online form, including podcasts, gaming, and ghost-hunting apps. This study also gives a new prominence to neglected or less familiar authors, including BIPOC writers, who have helped to shape the American ghost story tradition.
Monstrous Textualities
Monstrous textuality emerges when Gothic narratives like Frankenstein reflect the monstrous in their narrative structure to create narratives of resistance. It allows writers to meta-narratively reflect their own poetics and textual production, and reclaim authority over their work under circumstances of systemic cultural oppression and Othering. This book traces the representation of other Others through Black feminist hauntology in Toni Morrison’s Beloved (1987) and Love (2003); it explores fat freak embodiment as a feminist resistance strategy in Angela Carter’s Nights at the Circus (1984) and Margaret Atwood’s Lady Oracle (1976); and it reads Atwood’s MaddAddam trilogy (2003–13) and Shelley Jackson’s Patchwork Girl (1995) within a framework of critical posthumanist and cyborg theory. The result is a comprehensive argument about how these texts can be read within a framework of critical posthumanist questioning of knowledge production, and of epistemological exploration, beyond the exclusionary humanist paradigm.
Reality Simulation in Science Fiction Literature, Film and Television
In recent decades, science fiction in both print and visual media has produced an outpouring of story lines that feature forms of simulated reality. These depictions appear with such frequency that fictional portrayals of simulated worlds have become a popular sci-fi trope--one that prompts timeless questions about the nature of reality while also tapping into contemporary debates about emerging technologies. In combination with tech-driven tensions, this study shows that our collective sense of living in politically uncertain times also propels the popularity of these story lines. Because of the kinds of questions they raise and the cultural anxieties they provoke, these fictional representations provide a window into contemporary culture and demonstrate how we are reassessing our own reality.
