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Samuel Rutherford's (1600-1661) scholastic theology has been criticized as overly deterministic and even fatalistic, a charge common to Reformed Orthodox theologians of the era. This project applies the new scholarship on Reformed Orthodoxy to Rutherford's doctrine of divine providence. The doctrine of divine providence touches upon many of the disputed points in the older scholarship, including the relationship between divine sovereignty and creaturely freedom, necessity and contingency, predetermination, and the problem of evil. Through a close examination of Rutherford's Latin works of scholastic theology, as well as many of his English works, a portrait emerges of the absolutely free and independent Creator, who does not utilize his sovereignty to dominate his subordinate creatures, but rather to guarantee their freedom. This analysis challenges the older scholarship while making useful contributions to the lively conversation concerning Reformed thought on freedom.
Corrective and Distributive Justice: From Aristotle to Modern Times retraces the intricate history of the distinction between corrective and distributive justice. This distinction is elaborated in the 5th book of Aristotle's Nicomachean Ethics, which was rediscovered in Western Europe in the 12th and 13th centuries by the Scholastics and turned into a central topic in legal and theological scholarship. After a decline of interest in the wake of the enlightenment and secularization, a surprising revival of these notions of justice occurred in U.S. legal and philosophical discourse during the last four decades that has made this distinction a central issue in tort law, restitution and other im...
Focusing on Gisbertus Voetius’s views on God, freedom, and contingency, Andreas J. Beck offers the first monograph in English that is entirely devoted to the theology of this leading figure of early modern Reformed scholasticism.
Are there "missing links", links that are "easy to miss" between art and religion and between the ways in which they respond to or partake of reality? The hypothesis of this anthology is that these in fact do exist and its authors explore these links on the basis of a specific text or oeuvre, a specific artwork or exhibition. Following an introductory essay exploring the discussion on relating art and religion, there are artides on Jannis Kounellis and Andrew Forster, on plays by William Shakespeare, Gerard Jan Rijnders and Anny van Hoof, on an exhibition curated by Julia Kristeva. There is an analysis of a novel by Frederic Buechner and one of the autobiographical writings of Dorothy Day. Poems of M. Vasalis and Judith Herzberg are considered, along with the music of Olivier Messiaen and Plato's dialogue 'Sophist'.
Reprint of the original, first published in 1883.