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Girls
"Hope and despair blur in Theresa Ikoko's blistering tale of survival, republished in Methuen Drama's Modern Classics series"--
Girls
“Scorchingly intelligent and as powerful as a gut punch.” The Times Three ordinary girls, Tisana, Ruhab and Haleema. Best friends forever. All the big issues: love, sex, religion... and being kidnapped from their hometown in Nigeria. Fiercely funny and powerfully political, Theresa Ikoko's Girls explores enduring friendship, girlhood and the stories behind the headlines that quickly become yesterday's news. Winner of the 2015 Alfred Fagon Award and 2016 George Devine Award, Girls is published in Methuen Drama's Modern Classics series, featuring a new introduction by Daniel Bailey.
Black Women Centre Stage
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
Grime Kids
An explosive insider account of grime, from subculture to international phenomenon. ***** A group of kids in the 2000s had a dream to make their voice heard - and this book documents their seminal impact on today's pop culture. DJ Target grew up in Bow under the shadow of Canary Wharf, with money looming close on the skyline. The 'Godfather of Grime' Wiley and Dizzee Rascal first met each other in his bedroom. They were all just grime kids on the block back then, and didn't realise they were to become pioneers of an international music revolution. A movement that permeates deep into British culture and beyond. Household names were borne out of those housing estates, and the music industry now jumps to the beat of their gritty reality rather than the tune of glossy aspiration. Grime has shaken the world and Target is revealing its explosive and expansive journey in full, using his own unique insight and drawing on the input of grime's greatest names.
The Gallows Pole
____________________ The inspiration for the BBC TV series, directed by Shane Meadows and starring Tom Burke, George MacKay and Thomas Turgoose WINNER OF THE 2018 WALTER SCOTT PRIZE ____________________ 'Powerful, visceral writing, historical fiction at its best. Benjamin Myers is one to watch' - Pat Barker 'Phenomenal' - Sebastian Barry 'Superb' - The Times ____________________ From his remote moorland home, David Hartley assembles a gang of weavers and land-workers to embark upon a criminal enterprise that will capsize the economy and become the biggest fraud in British history. They are the Cragg Vale Coiners and their business is 'clipping' – the forging of coins, a treasonous offence punishable by death. When an excise officer vows to bring them down and with the industrial age set to change the face of England forever, Hartley's empire begins to crumble. Forensically assembled, The Gallows Pole is a true story of resistance and a rarely told alternative history of the North. ____________________ 'One of my books of the year ... It's the best thing Myers has done' - Robert Macfarlane, Big Issue Books of the Year
Rebel Voices: Monologues for Women by Women
Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.
Rebel Voices: Monologues for Women by Women
Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.
Elephant
Vira hasn't seen her sister Deesh for years. Deesh's kids, Amy and Bill, want to know why but nobody's telling them anything. When Deesh invites her sister to Amy's flashy party, Vira reckons it's time to come home and move on. Time to stop watching the telly, get out of her council flat, stick on a glitzy sari and embrace her nearest and dearest. But is it possible to forgive and forget? And when a family is built on lies, will it be destroyed by the truth?
Harrogate
There's gossip going around that we're all like him. That we're all paper thin, that it's all been painted over, and each one of us is gonna sit down one day and not be able to stand up, like we've disappeared to ourselves. Harrogate tells the story of a father struggling to confront his obsessions head-on without destroying his family. It is a play about how we perform versions of ourselves depending on what company we keep, and how we project onto others versions of the people we want to see, rather than accepting who stands in front of us. The play is a triptych about obsession, repression and lust. It received its world premiere on the 11 September 2015 as part of the HighTide Theatre Festival and this edition has been published for its subsequent production in October 2016.
The Sugar-Coated Bullets of the Bourgeoisie
Our China is now the worst of all worlds. Communist politics controlled by greedy capitalists, raw capitalist economics controlled by corrupt Communists. Because they're all the same people! At least under me, the people knew what they were tightening their belts for. Anders Lustgarten's epic play covers the years 1949 when Chairman Mao founded the Communist Party of China to the present day when investors swoop in to make money off the land. Following a number of characters and generations through these years, it portrays the foundation of modern China. The Sugar-Coated Bullets of the Bourgeoisie, from award-winning playwright Anders Lustgarten, received its world premiere on at the Arcola Theatre, London, on 6 April 2016, in a co-production between the Arcola Theatre and HighTide Festival.
