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Thom Gunn
By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as provide a passionate introduction to some of the greatest poets of our literature.
The Letters of Thom Gunn
'Gunn's letters serve as one of the most indispensable epistolary chronicles of an era, especially in the US, of the Eisenhower fifties transforming into the revolutionary sixties and seventies, and then the revanchist, reactionary Reagan eighties and the AIDS epidemic, all seen through the lens of a gay, ex-pat English poet.' August Kleinzahler Gunn was not just the leather jacket-wearing, motorbike-riding tough that he is sometimes made out to be; nor the rambunctiously laughing happy-go-lucky bon vivant that he often showed to the world. This correspondence, meticulously transcribed and annotated by the editors, charts his contradictions and complexities, bringing alive the biographical, political and poetic landscape that informed his imaginative and heroic body of work. The letters demonstrate not only the poet's role-playing and theatricality - recounting in various voices to share his experiences as fully as possible - but also a deep literariness and humane intelligence: friendship, Gunn himself remarks, 'must be the greatest value in my life'.
The Poetry of Thom Gunn
Thom Gunn served as a mouthpiece for his time, illustrating the social, cultural, and historical transformations that have characterized western civilization from World War II until today. Starting with theoretical premises drawn from philosophy, anthropology, and sociology, this work examines Thom Gunn's entire poetic career. In Gunn's early poetry, the author argues, the predominant theme is the desire for freedom from the painful prison of the intellect and from the masks that the individual feels compelled to wear even in his sexual relationships. In Gunn's later poetry, the author notes a gradual opening to human relationships and to Nature, which is also Gunn's vindication and reevaluation of his own nature and the liberation of his long repressed and hidden homosexuality.
Breakfast with Thom Gunn
Aubade Those who lack a talent for love have come to walk the long Pier 7. Here at the end of the imagined world are three low-flying gulls like lies on the surface; the slow red of a pilot’s boat; the groan of a fisherman hacking a small shark— and our speech like the icy water, a poor translation that will not carry us across. What brought us west, anyway? A hunger. But ours is no Donner Party, we who feed only on scenery, the safest form of obfuscation: see how the bay is a gray deepening into gray, the color of heartbreak. Randall Mann’s Breakfast with Thom Gunn is a work both direct and unsettling. Haunted by the afterlife of Thom Gunn (1929–2004), one of the most beloved gay li...
Selected Poems of Thom Gunn
Thom Gunn's controlled used of form and the metaphysical was in evidence from his first collection, Fighting Terms, in 1954, which was widely regarded - perhaps not entirely accurately - as a contributor to 'The Movement' and the opposition to modernism. The same technical ability and formal prowess endured after he moved from Cambridge to San Francisco, though became, from The Sense of Movement (1959) onwards, shot through with a new mood of hedonism, freedom and the excesses of the gay and counter-cultural scenes of 1960s America in poems written in celebration of rock and roll, myth, and hallucinogenic drugs. The '80s saw a shift in this life with the devastation of the Aids epidemic, whi...
Thom Gunn in Conversation with James Campbell
A 112 page volume, whose publication is timed to coincide with the poet's latest collection, Boss Cupid (Faber, March 2000). The book contains an extended interview, a career sketch, and an updated version of Hagstrom and Bixby's comprehensive 1979 bibliography. It also contains several pages of quotations from Gunn's critics. Also included is Gunn's recent poem, Clean Clothes: a Soldier's Song What the critics said: This volume gives us an informative, friendly 42 page Q A between Gunn and critic, biographer, and TLS eminence James Campbell, conducted in January 1999, after Gunn had completed what's his new book, Boss Cupid ... As usual, Gunn comes across as admirable: reserved about his private life, thoughtful about his principles. He's someone who's quite devoted to nightlife, to sex of course, to fun, and yet he's articulated a liveable moral stringency, and an entirely appealing way of connecting art to ethical choice ... It's dangerous to take anyone's life as exemplary - that must be one of the differences between people and poems - but Gunn's in some ways can seem so. Stephen Burt, 'Nightlife and Morality', Poetry Review, Summer, 2000
The Man With Night Sweats
Thom Gunn's The Man With Night Sweats shows him writing at the height of his powers, equally in command of classical forms and of looser, more colloquial measures, and ready to address a wide range of themes, both intimate and social. The book ends with a set of poems about the deaths of friends from AIDS. With their unflinching directness, compassion and grace, they are among the most moving statements yet to have been provoked by the disease.
The Sense of Movement
The Sense of Movement, Thom Gunn's second collection, was first published in 1957.'This book . . . establishes Gunn as one of the few really interesting poets of his generation and promises greatly for the future.' Times Literary Supplement
At the Barriers
Maverick gay poetic icon Thom Gunn (1929–2004) and his body of work have long dared the British and American poetry establishments either to claim or disavow him. To critics in the UK and US alike, Gunn demonstrated that formal poetry could successfully include new speech rhythms and open forms and that experimental styles could still maintain technical and intellectual rigor. Along the way, Gunn’s verse captured the social upheavals of the 1960s, the existential possibilities of the late twentieth century, and the tumult of post-Stonewall gay culture. The first book-length study of this major poet, At the Barriers surveys Gunn’s career from his youth in 1930s Britain to his final years in California, from his earliest publications to his later unpublished notebooks, bringing together some of the most important poet-critics from both sides of the Atlantic to assess his oeuvre. This landmark volume traces how Gunn, in both his life and his writings, pushed at boundaries of different kinds, be they geographic, sexual, or poetic. At the Barriers will solidify Gunn’s rightful place in the pantheon of Anglo-American letters.
Boss Cupid
In some respects a sequel to The Man With Night Sweats, Boss Cupid is a memorialising of friends who have died, an anatomy of survival, and a self-portrait of the poet in age. The poems are written under the sign of Cupid, 'devious master of our bodies', but their intimacies are always heard against the sociable human hum of an entire community which Gunn depicts in poems of fluent grace, as formal as they are relaxed.
