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We got ourselves into this. Here's how we can get ourselves out. We know the problem: the amount of biodiversity loss, the scale of waste and pollution, the amount of greenhouse gas we pump into the air... it's unsustainable. We have to do something. And we are resourceful, adaptable and smart. We have already devised many ways to reduce climate change - some now proven, others encouraging and craving uptake. Each one is a solution to get behind. In 39 Ways to Save the Planet, Tom Heap reveals some of the real-world solutions to climate change that are happening around the world, right now. From tiny rice seeds and fossil fuel free steel to grazing elk and carbon-capturing seagrass meadows, each chapter reveals the energy and optimism in those tackling the fundamental problem of our age. Accompanying a major BBC Radio 4 series in collaboration with the Royal Geographical Society, 39 Ways to Save the Planet is a fascinating exploration of our attempt to build a better future, one solution at a time. A roadmap to global action on climate change, it will encourage you to add your own solutions to the list.
First published online to comfort, inspire and entertain children during lockdown, Katherine Rundell’s collection of over 100 works from the best authors and illustrators of children’s books has been read by almost half a million people. A donation from the sale of each book will go to NHS Charities Together
Thomas returned home to Georgia for his father's funeral. He became informed that he would receive the entire estate as he was the only child. Then a few events happened that scared him. The book is equipped with the audio tracks. The address of the home page of the book on the Internet, where audio files are available for listening and downloading, is listed at the beginning of the book on the copyright page.
Thomas had returned home to Georgia for his father's funeral. He became informed that he would receive the entire estate as he was the only child. Then a few events happened that scared him. The book is equipped with the audio tracks. The address of the home page of the book on the Internet, where audio files are available for listening and downloading, is listed at the beginning of the book on the copyright page.
In an authorial class with dramatists and authors of literary prose such as Goethe, Schiller, Thomas Mann, Brecht, and Kafka, Heinrich von Kleist (1777-1811) remains prominent in international evaluations of artistic genius when measured by enduring popular and artistic reception; legal, philosophical, and scientific criticism; and resonance of political rage. Scholars have long been fascinated by Kleist’s biography and works, in no small part due to his influence on authors, philosophers, political thinkers, and filmmakers, who regard Kleist as among the most accessible of “classic” artists — one whose relevance requires neither theoretical introduction nor literary-historical justification. The present volume addresses two centuries of engagement with Kleist and his works from an angle that has proven most important to their popular canonical status — his artistic and political legacies. What mattered to Kleist has mattered to centuries of readers, and thus all the more to artists and thinkers with similarly urgent messages to convey.
Masterminded by women, the Red Army Faction (RAF) terrorized West Germany from the 1970s to the 1990s. Afterimages of its leaders persist in the works of pivotal artists and writers, including Gerhard Richter, Elfriede Jelinek, and Slavoj i ek. Why were women so prominent in the RAF? What does the continuing cultural response to the German armed struggle tell us about the representation of violence, power, and gender today? Engaging critical theory, Charity Scribner addresses these questions and analyzes signal works that point beyond militancy and terrorism. This literature and art discloses the failures of the Far Left and registers the radical potential that RAF women actually forfeited. ...
Kaiser Karl, der Sachsenschlächter, hat Maßstäbe gesetzt – da lassen sich die Krimi-Könner vom "Syndikat" nicht lumpen! Sie haben die Karlsstadt Aachen als Zentrum ihrer literarisch-kriminellen Aktivitäten auserkoren. Hier veranstalten sie 2019 die CRIMINALE, das größte Festival des deutschsprachigen Krimis. Aus diesem Anlass stöbern sie das Verbrechen in all seinen Formen auf, sei es historisch oder aktuell, kulinarisch oder politisch, lokal oder grenzüberschreitend. Das kommt dabei heraus, wenn man Schreibtischtätern den Klenkes reicht! Sie dürfen gespannt sein.
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