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A satire on America featuring a capitalist trying to avoid ruin. The hero is Charlie Croker of Atlanta whose plantation and skyscraper face repossession by banks for non-repayment of a loan. One way out might be to request leniency in return for hushing up a rape.
Presents a collection of critical essays about the works of Tom Wolfe.
The Purple Decades brings together the author's own selections from his list of critically acclaimed publications, including the best from The Electric Kool-Aid Acid Test, Radical Chic, From Bauhaus to Our House, The Right Stuff and the complete text of Mau-Mauing and the Flak Catchers. An essential introduction to the non-fiction writing of the inventor of New Journalism.
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Available for the first time in years, this classic collection of essays and drawings chronicles the shifting moral terrain of American through the 1980s.
One of the most celebrated bestsellers of the decade, here is Wolfe's wise and wickedly brilliant novel of lust, greed, Wall Street and the American way of life in the '80s.
McKeen's study reveals how Wolfe brought journalism, once the bastard child of literature, onto a higher plane, where it remains on a par with the novel - as an art form that is not merely the means toward an end but a satisfying end in itself.
Literary journalist, ""lowly social historian,"" ""chronicler of his times,"" and ""champion of realism"" are among the many epithets heaped upon Tom Wolfe by himself and his myriad admirers and critics. In this collection of interviews spanning his richly productive career, Wolfe is seen as a writer imitating no one and riding the crest of each latest wave in contemporary America. For more than a quarter of a century he has been the vivid and varied chronicler of our time--from the Californian car customizers and Ken Kesey's Merry Pranksters of the sixties to the ambition-driven inhabitants of New York City in the eighties. His hybrid of reporting and fiction-writing has received perhaps mo...
This is a 1973 anthology of journalism edited by Tom Wolfe and E. W. Johnson. The book is both a manifesto for a new type of journalism by Wolfe, and a collection of examples of New Journalism by American writers, covering a variety of subjects from the frivolous (baton twirling competitions) to the deadly serious (the Vietnam War). The pieces are notable because they do not conform to the standard dispassionate and even-handed model of journalism. Rather they incorporate literary devices usually only found in fictional works.