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The Purple Decades brings together the author's own selections from his list of critically acclaimed publications, including the best from The Electric Kool-Aid Acid Test, Radical Chic, From Bauhaus to Our House, The Right Stuff and the complete text of Mau-Mauing and the Flak Catchers. An essential introduction to the non-fiction writing of the inventor of New Journalism.
"In Our Time is a biting collection of Tom Wolfe's essays and illustrations cataloging and critiquing the state of 1980s American society"--
Offers an examination of the works of the American author.
Literary journalist, ""lowly social historian,"" ""chronicler of his times,"" and ""champion of realism"" are among the many epithets heaped upon Tom Wolfe by himself and his myriad admirers and critics. In this collection of interviews spanning his richly productive career, Wolfe is seen as a writer imitating no one and riding the crest of each latest wave in contemporary America. For more than a quarter of a century he has been the vivid and varied chronicler of our time--from the Californian car customizers and Ken Kesey's Merry Pranksters of the sixties to the ambition-driven inhabitants of New York City in the eighties. His hybrid of reporting and fiction-writing has received perhaps mo...
A satire on America featuring a capitalist trying to avoid ruin. The hero is Charlie Croker of Atlanta whose plantation and skyscraper face repossession by banks for non-repayment of a loan. One way out might be to request leniency in return for hushing up a rape.
One of the most celebrated bestsellers of the decade, here is Wolfe's wise and wickedly brilliant novel of lust, greed, Wall Street and the American way of life in the '80s.
This is a 1973 anthology of journalism edited by Tom Wolfe and E. W. Johnson. The book is both a manifesto for a new type of journalism by Wolfe, and a collection of examples of New Journalism by American writers, covering a variety of subjects from the frivolous (baton twirling competitions) to the deadly serious (the Vietnam War). The pieces are notable because they do not conform to the standard dispassionate and even-handed model of journalism. Rather they incorporate literary devices usually only found in fictional works.
Reissued for today’s reader with a redesigned cover by the renowned artist Seymour Chwast, Tom Wolfe trains his satirical eye on Modern Art in this “masterpiece” (The Washington Post). What has become of art? In his dazzling and controversial book The Painted Word, Tom Wolfe explores this question and more as he investigates early trends in Modern Art and critiques the critics who dominated the art world during the 1960s and ’70s. Wolfe addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. He bring into question the work of famous avant-garde artists like Andy Warhol, Jackson Pollock, and others. With gorgeous, pointed prose, Wolfe investigates what has become of Modern Art and examines the control that art critics have over the art world at large. Elegant, hilarious, and devastating, The Painted Word presents a sharp critique of the modern state of art.
Tom Wolfe's debut collection of essays - a brilliant, form-bending dive into the future of America as it careened through the 1960s In 1965, Tom Wolfe dropped like a bomb onto the American literary scene with his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, an incandescent panorama of American counter-culture, its dances, bouffant hairdos, customised cars and rock concerts. Capturing the energy of the age in its portraits of Phil Spector, Cassius Clay, Las Vegas and the Nanny Mafia – as well as asking, why do doormen hate Volkswagens? – Wolfe’s flamboyant essay collection remains one of the great, revolutionary landmarks of modern non-fiction. 'Journalism, it is said, is the first draft of history. Nobody exemplifies the dictum better than Wolfe, the cultural observer and social critic par excellence' Daily Telegraph
When the future began... The men had it. Yeager. Conrad. Grissom. Glenn. Heroes...the first Americans in space...battling the Russians for control of the heavens...putting their lives on the line. The women had it. While Mr. Wonderful was aloft, it tore your heart out that the Hero's Wife, down on the ground, had to perform with the whole world watching...the TV Press Conference: "What's in your heart? Do you feel with him while he's in orbit?" The Right Stuff. It's the quality beyond bravery, beyond courage. It's men like Chuck Yeager, the greatest test pilot of all and the fastest man on earth. Pete Conrad, who almost laughed himself out of the running. Gus Grissom, who almost lost it when his capsule sank. John Glenn, the only space traveler whose apple-pie image wasn't a lie.