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Modern and Post-modern Mime
Modern mime, which has emerged as a major art form has its roots in the theatre work of Jacques Copeau in Paris in the 1920s. Copeau looked for a remedy to the ills of the theatre of his day by turning to the golden age of Greek theatre, the Noh and Kabuki, and commedia dell'arte. Here Copeau found an emphasis on the expressive potential of the actor's whole body, rather than just the voice.
Etienne Decroux
These compact, well-illustrated and clearly written books unravel the contribution of modern theatre's most charismatic innovators and are unbeatable value for today's student.
The Decroux Sourcebook
The Decroux Sourcebook is the first point of reference for any student of the âe~hidden masterâe(tm) of twentieth century theatre. This book collates a wealth of key material on Etienne Decroux, including: an English translation of Patrice Pezinâe(tm)s âe~Imaginary Interviewâe(tm), in which Decroux discusses mimeâe(tm)s place in the theatre. previously unpublished articles by Decroux from Franceâe(tm)s Bibiothèque Nationale. essays from Decrouxâe(tm)s fellow innovators Eugenio Barba and Edward Gordon Craig, explaining the synthesis of theory and practice in his work. Etienne Decrouxâe(tm)s pioneering work in physical theatre is here richly illustrated not only by a library of source material, but also with a gallery of images following his life, work and influences. The Decroux Sourcebook is an ideal companion to Thomas Leabhartâe(tm)s Etienne Decroux in the Routledge Performance Practitioners series, offering key primary and secondary resources to those conducting research at all levels.
Etienne Decroux
Etienne Decroux is the primary creator of Corporeal Mime and one of modern theatre’s most charismatic innovators, known for his ground-breaking use of the body as the principal means of expression on stage. This second edition combines: an overview of Decroux’s life and work an analysis of Decroux’s Words on Mime, the first book to be written about this art a series of practical exercises offering an introduction to Corporeal Mime technique. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Words on Mime
None
A Dictionary of Theatre Anthropology
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Annual Report
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
