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In 1950's Boston, the Irish Republican Army is running guns and killing witnesses. Cal and Dante are committed to stopping them. When a body is discovered at the Charlestown locks -- tarred, feathered and shot to death -- it appears to be a gangland killing, and is almost immediately dismissed. However, Cal O'Brien's cousin, Boston PD detective Owen Lackey, recognizes the murder style as the typical retribution for IRA informers. Combined with a tip-off about a boat coming into Boston weighed down with stolen guns and ammunition, the body in the locks hints that much more may be at stake than a one-off hit. Serpents in the Cold introduced us to Cal and Dante, whose previous investigation brought them to the highest ranks of Boston's political elite. This time, Cal and Dante descend into the city's shadowy underbelly -- a world of packed dance halls, Irish wakes, and funeral parlors. There they discover a terrorist plot that will shake the city to its core and bring them head-to-head not only with Cal's past, but with the IRA Army Council itself.
They found her on the beach, frozen, like a statue carved in ice... Post-war Boston is down on its luck, and desperate to reinvent itself. But promises of a brighter future sound ever more hollow as the worst winter in recent memory tightens its grip. No one is interested in a string of murdered women - everyone would much rather pretend they don't exist. But the latest victim was loved... Old friends Cal and Dante are both struggling to find a way to live in a city that seems to be leaving them behind. The hunt for a killer gives them new purpose, as well as making them powerful enemies. But they believe in justice and second chances, and they will see this thing through - whatever the cost.
A heart-breaking, staggering, soaring novel about war, music, loneliness and the redemptive power of the imagination
'The body you are wearing used to be mine.' So begins the letter Myfanwy Thomas is holding when she awakes in a London park surrounded by bodies all wearing latex gloves. With no recollection of who she is, Myfanwy must follow the instructions her former self left behind to discover her identity and track down the agents who want to destroy her. She soon learns that she is a Rook, a high-ranking member of a secret organization called the Checquy that battles the many supernatural forces at work in Britain. She also discovers that she possesses a rare and deadly supernatural ability of her own.
THE CHECQUY: A centuries-old covert organization that protects the nation from supernatural threat. THE GRAFTERS: A centuries-old supernatural threat. After centuries of rivalry and bloodshed, two secret and otherworldly organisations – The Checquy and The Grafters – are on the verge of joining forces, and only one person has the supernatural skills – and the bureaucratic finesse – to get the job done: Myfanwy Thomas. But as a wave of gruesome atrocities sweep London, ingrained paranoias flare, old hatreds ignite and negotiations grind to a halt. It is up to Myfanwy to find the culprits before they trigger a devastating, all-out, supernatural war between the reluctant allies.
This new edition of Sentencing Law and Practice provides judges and practitioners with a comprehensive and reliable analysis of Irish sentencing law, with particular emphasis on general principles, It also analyses all recent legislation and its implications for sentencing practice. Extensive use is made of comparative law for illustrative purposes. Key Features * A clear and comprehensive account of Irish sentencing law and practice * Analyses all relevant legislation and case law. * Incorporates relevant comparative material from other jurisdictions * New and extended treatment of general principles, mitigating factors and aggravating factors. * Discusses relevant case law of the European ...
This is the budget version of CATS ON FILM, with black and white photos instead of colour ones. What is a Catguffin? Why should you be wary of a Catzilla? What is the difference between a Catagonist and a Heropuss? Who or what is a Modesty Cat, and why does The Third Man have such problems with kitten continuity? All these questions and many others are answered in CATS ON FILM, the definitive work of feline film scholarship, in which critic and novelist Anne Billson explores the many and varied narrative functions of cats by examining their appearances in one hundred films, from blockbusters to art films, foreign films to cult oddities, rom-coms to horror movies. Meet Clovis, Ulysses, Jezebel, Pyewacket, Pumpkin and a clowder of other celebrated film felines, learn how the White Cat of Evil launched his career as Blofeld's lapcat in the James Bond franchise, and thrill to My Day By Jones, in which the cat's eye view of Alien is finally revealed. CATS ON FILM. No cat-loving film fan can afford to be without it.
A comprehensive analysis, this text defines the major sexual offences and seeks to evaluate the legacy of recent statutes such as the Criminal Evidence Act 1992 and the Criminal Law (Sexual Offences) Act 1993.
O'Malley sets a haunting local mystery against the tense backdrop of a country tormented by bloodshed and deep schisms. In the tradition of Seamus Deane and John McGahern, a stirring, beautifully written, but unsentimental portrait of an Irish boyhood. Thomas O'Malley's work has appeared in literary journals such as "Ploughshares, Glimmer Train, Shenandoah, Gulf Stream, and "Blue Mesa Review".
Counter Reformation, Catholic Reformation, the Baroque Age, the Tridentine Age, the Confessional Age: why does Catholicism in the early modern era go by so many names? And what political situations, what religious and cultural prejudices in the nineteenth and twentieth centuries gave rise to this confusion? Taking up these questions, John O'Malley works out a remarkable guide to the intellectual and historical developments behind the concepts of Catholic reform, the Counter Reformation, and, in his felicitous term, Early Modern Catholicism. The result is the single best overview of scholarship on Catholicism in early modern Europe, delivered in a pithy, lucid, and entertaining style. Althoug...