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Mark Twain’s visions of the Mississippi River offer some of the most indelible images in American literature: Huck and Jim floating downstream on their raft, Tom Sawyer and friends becoming pirates on Jackson’s Island, the young Sam Clemens himself at the wheel of a steamboat. Through Twain’s iconic river books, the Mississippi has become an imagined river as much as a real one. Yet despite the central place that Twain’s river occupies in the national imaginary, until now no work has explored the shifting meaning of this crucial connection in a single volume. Thomas Ruys Smith’s Deep Water: The Mississippi River in the Age of Mark Twain is the first book to provide a comprehensive ...
Even in the decades before Mark Twain enthralled the world with his evocative representations of the Mississippi, the river played an essential role in American culture and consciousness. Throughout the antebellum era, the Mississippi acted as a powerful symbol of America's conception of itself -- and the world's conception of America. As Twain understood, "The Mississippi is well worth reading about." Thomas Ruys Smith's River of Dreams is an examination of the Mississippi's role in the antebellum imagination, exploring its cultural position in literature, art, thought, and national life. Presidents, politicians, authors, poets, painters, and international celebrities of every variety exper...
An accessible and entertaining look at this crucible period in the life of one of America's most distinctive cities.
As the modern celebration of Christmas took shape across the nineteenth century, American writers gave it new meaning in the pages of countless books and magazines. Now, for the first time, this rich anthology brings together some of the most significant of those seasonal stories to retell a forgotten tale of Christmases past. From the authors who helped define a national literary culture, to the popular sentimentalists who negotiated Christmas’s position at the center of family life, to the realists who looked to reshape American letters in the wake of the Civil War, and beyond: all varieties of American writers turned to Christmas as an inevitable and potent subject during this deeply formative period in the history of American literature. In Christmas Past, Thomas Ruys Smith brings together a diverse range of voices to showcase the many ways in which Christmas was imagined across the nineteenth century, offering images that echo down to the present. The introduction that frames the anthology provides a new literary history of Christmas, contextualizing the selections and making clear the links both between them and to the wider trajectory of American literature.
The Oxford Handbook of the Literature of the U.S. South brings together contemporary views of the literature of the region in a series of chapters employing critical tools not traditionally used in approaching Southern literature. It assumes ideas of the South--global, multicultural, plural: more Souths than South--that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself. Representative of the current range of activity in the field of Southern literary studies, it challenges earlier views of antebellum Southern literature, as well as, in its discussions of twentieth-century writing, questions the assumption that the Southern Renaissance of the 1920s, 1930s, and 1940s was the supreme epoch of Southern expression, that writing to which all that had come before had led and by which all that came afterward was judged. As well as canonical Southern writers, it examines Native American literature, Latina/o literature, Asian American as well as African American literatures, Caribbean studies, sexuality studies, the relationship of literature to film, and a number of other topics which are relatively new to the field.
From the colonial period to the present, the Mississippi River has impacted religious communities from Minnesota to the Gulf of Mexico. Exploring the religious landscape along the 2,530 miles of the largest river system in North America, the essays in Gods of the Mississippi make a compelling case for American religion in motion—not just from east to west, but also from north to south. With discussion of topics such as the religions of the Black Atlantic, religion and empire, antebellum religious movements, the Mormons at Nauvoo, black religion in the delta, Catholicism in the Deep South, and Johnny Cash and religion, this volume contributes to a richer understanding of this diverse, dynamic, and fluid religious world.
Released in 1952, The Anthology of American Folk Music was the singular vision of the enigmatic artist, musicologist, and collector Harry Smith (1923–1991). A collection of eighty-four commercial recordings of American vernacular and folk music originally issued between 1927 and 1932, the Anthology featured an eclectic and idiosyncratic mixture of blues and hillbilly songs, ballads old and new, dance music, gospel, and numerous other performances less easy to classify. Where previous collections of folk music, both printed and recorded, had privileged field recordings and oral transmission, Smith purposefully shaped his collection from previously released commercial records, pointedly blur...
A unique survey and interpretive history, spanning 200 years, of the American bestseller.
New Orleans occupies a singular position within American life. Drawing deeply from Old World traditions and New World possibilities, the port city of the Mississippi has proved a lure to an extraordinary variety of travellers from its very earliest days. New Orleans has always been a world city like no other: it combines the magnolia and moonlight appeal of Southern romanticism, a popular sense of exoticism and decadence, the hint of illicit sex, and a cultural history without compare. However, alongside the glamour there runs another story - of tension, conflict, hardship and destruction. It was in the nineteenth century that the city's most distinctive characteristics were forged, and chapters will be based around signal moments that reveal the city's essential qualities: the Battle of New Orleans in 1815; the World's Fair in 1884; the establishment of Storyville in 1897. Whilst painting a portrait of the public face of New Orleans, the book will look behind the carnival mask to explore aspects of the city's history which have so often been kept hidden from view.
A stimulating overview of American journeys from the eighteenth century to the present.