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Roald Dahl's Marvellous Medicine
Most people know Roald Dahl as a famous write of children’s books and adult short stories, but few are aware of his fascination with medicine. Right from his earliest days to the end of his life, Dahl was intrigued by what doctors do, and why they do it. During his lifetime, he and his family suffered some terrible medical tragedies: Dahl nearly died when his fighter plane went down in World War II; his son had severe brain injury in an accident; and his daughter died of measles infection of the brain. But he also had some medical triumphs: he dragged himself back to health after the plane crash, despite a skull fracture, back injuries, and blindness; he was responsible for inventing a med...
Rhythms and Rhymes of Life
A study of the role of music and youth culture in the identification procces of Dutch-Moroccan youth.
Honeybees of Solomon
This book contains reminiscences of the Author as Judge for twenty-five years. Apart from a few travelogue and acquaintances with personages, the descriptions are live stories of human life displayed in different courts where he was judge. The author has avoided narrating matrimonial disputes due to statutory constraints. The narratives have been recollected from memory. Yet care was taken to mention only true facts, though all truths are not included, lest, it might injure the feelings of others. This is intended only for the readers to have easy reading on some interesting episodes of human life.
Ethnomusicology in East Africa
"Ethnomusicology in East Africa ... brings together thinkers and artists from Uganda, East Africa and further afield to discuss an area of vital importance to Africans as a people. The book presents selected papers from the First International Symposium on Ethnomusicology in Uganda, held at Makerere University in Kampala on 23-25 November 2009 ... [and] represents an important step in the continued professionalisation of ethnomusicology in Uganda. It presents new work by Uganda-based researchers, from students to academic staff, and solidly places that work within the international scholarly ethnomusicological conversation"--Cover.
Heads of Families at the First Census of the United States Taken in the Year 1790
"No other official record or group of records is as historically significant as the 1790 census of the United States. The taking of this census marked the inauguration of a process that continues right up to our own day--the enumeration at ten-year intervals of the entire American population" -- publisher website (June 2007).
American Prisoners of the Revolution
Scotland's High Court of the Admiralty, which was established in the mid-15th century, had jurisdiction over civil, criminal, and prize matters upon the high seas. The earliest extant records of the Admiralty Court date from 1657, and they are housed in the National Archives of Scotland in Edinburgh. For this new book, the indefatigable David Dobson has culled the records of the High Court of the Admiralty--mostly from the court's Register of Decrees--for any reference to America between the years 1675 and 1800. American Data From the Records of the High Court of the Admiralty of Scotland, 1675-1800 is thus a transcription of 3,000 references to Scotsmen with a maritime connection to the New World, as gleaned from relatively obscure maritime records.
Music Making Community
Making music offers enormous possibilities--and faces significant limitations--in its power to generate belonging and advance social justice. Tony Perman and Stefan Fiol edit essays focused on the forms of interplay between music-making and community-making as mutually creative processes. Contributors in the first section look at cases where music arrived in settings with little or no sense of community and formed social bonds that lasted beyond its departure. In the sections that follow, the essayists turn to stable communities that used musical forms to address social needs and both forged new social groups and, in some cases, splintered established communities. By centering the value of difference in productive feedback dynamics of music and community while asserting the need for mutual moral indebtedness, they foreground music’s potential to transform community for the better. Contributors: Stephen Blum, Joanna Bosse, Sylvia Bruinders, Donna A. Buchanan, Rick Deja, Veit Erlmann, Stefan Fiol, Eduardo Herrera, David A. McDonald, Tony Perman, Thomas Solomon, and Ioannis Tsekouras
