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Good Living Street
In 1900 Vienna was one of the most exciting places to live in the world. Its glamorous high society was the envy of Europe, and it was the centre of an exploding arts movement that set the tone for the following century. Bonyhady follows the lives of three generations of women in his family who lived in Vienna, eventually fleeing to escape the Nazis and settling in a small flat in Cremorne.
Two Afternoons in the Kabul Stadium
An exciting social history of Afghanistan told through art
The Colonial Earth
"Using the work of great Australian painters and poets as an entry point, this cultural study counters the popular myth that early colonial settlers were environmentally irresponsible and offers both aesthetic and historical evidence that suggests nature always figured prominently in the Australian national consciousness. Preserving endangered species, protecting forests, maintaining public land rights, and staving off climate change were at issue in the first environmental law of Australia enacted in 1788. Parlimentary debates, personal observations, and artistic renderings explore the texture and dimensions of early Australian environmentalism."
Words for Country
Stories and phrases can powerfully shape the ways we experience and manage our environment. What languages have been used to characterise Australian landscapes and how have they influenced the way we see and treat our environment? How do stories take root in particular places? How do we find the right words for those parts of the country that matter to us? "Words for Country" answers these questions while exploring the inter-relationship between Australia's landscape and language. Tim Bonyhady and Tom Griffiths have brought together a collection of essays whose subjects range from the Ord River in the far north-west to Antarctica in the south, from the centre to the coast, the prehistoric to the present. Their terrain is environmental and cultural, political and poetic. Words for Country reveals not just how language grows out of the landscape but how words and stories shape the places in which we live.
The Enchantment of the Long-haired Rat
A surprising and absorbing new work of scientific, historical and environmental investigation, featuring one of Australia’s most misunderstood native animals, the long-haired rat.
Australia's Impressionists
Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.
Images in Opposition
Australian landscape painting 1788-1901; includes chapter on depiction of Aborigines in landscape settings.
The National Picture
'Benjamin Duterrau and his National picture project are at the core of this publication because he was the colonial artist most interested in Tasmania's Aboriginal people, and the only artist who chose to depict, on a substantial scale, their conciliation or pacification by George Augustus Robinson', writes Tim Bonyhady and Greg Lehman in their introduction to The National Picture: The Art of Tasmania's Black War. The fresh research presented by Bonyhady and Lehman in this insightful new book from the National Gallery of Australia will no doubt tantalise art lovers and historians alike. It will also appeal to anyone interested in Australia's colonial past and in the ongoing interrogation of ...
Aboriginal Artists of the Nineteenth Century
Andrew Sayers examines a considerable body of drawings produced by Aboriginal artists between 1803 and 1903. Never before collected as a genre, these works are retained in museums, libraries, or private hands and have rarely been displayed. Often regarded as inauthentic art because of their stylistic borrowings and fluctuations, they enjoy a unique status as products of the interaction between Aboriginal society and the British colonizers. The largest group of drawings comes from the hands of three artists--Tommy McCrae (c1823-1901), William Barak (c1824-1903), and Ulladulla Mickey (c1820-1891), who produced their drawings in the 1880s and 1890s. Visually these drawings are varied, but they possess many of the aesthetic qualities which characterize contemporary Aboriginal art, displaying intense vitality and an acute understanding of flora and fauna.
Prehistory To Politics
Who are public intellectuals? Why do they matter? What is the difference between an academic and an intellectual? Prehistory to Politics explores these issues by examining the life and work of John Mulvaney, one of Australia's foremost prehistorians, who has both changed our understanding of the past and made a major contribution to public debate and public policy about world heritage, archaeological and conservation practice, the function and operation of museums and the relevance of the humanities. A major campaigner for preservation of the Franklin River in the early 1980s, Mulvaney has also been an influential member of the Australian Heritage Commission and one of the most important adv...
