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In 1991, the publication of Koji Suzuki's Ring, the first novel of a bestselling trilogy, inaugurated a tremendous outpouring of cultural production in Japan, Korea, and the United States. Just as the subject of the book is the deadly viral reproduction of a VHS tape, so, too, is the vast proliferation of text and cinematic productions suggestive of an airborne contagion with a life of its own. Analyzing the extraordinary trans-cultural popularity of the Ring phenomenon, The Scary Screen locates much of its power in the ways in which the books and films astutely graft contemporary cultural preoccupations onto the generic elements of the ghost story”in particular, the Japanese ghost story. ...
This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as ho...
Harpur and Iles juggle a new drug kingpin and a new chief in this hilarious police procedural from “the Elmore Leonard of Britain’s underworld” (Kirkus Reviews). After his wife and son are gunned down in what appears to be a hit gone wrong, Local drug boss Mansel Shale turns to religion, leaving his drug business up for grabs. His second-in-command, a weirdo who believes he is Generalissimo Franco, is the wrong man to lead the organization, especially with rival Ralph Ember eager to gain control of Shale’s territory. Neither Assistant Chief Desmond Iles nor DCS Colin Harpur wants a drug war. Both believe in the motto “No blood on the pavement.” But their new chief has a different...
"Since the 1950s, Abe Kōbō (1924–1993) has achieved an international reputation for his surreal or grotesque brand of avant-garde literature. From his early forays into science fiction to his more mature psychological novels and films, and finally the complicated experimental works produced near the end of his career, Abe weaves together a range of “voices”: the styles of science and the language of literary forms. In Abe’s oeuvre, this stylistic interplay links questions of language and subjectivity with issues of national identity and technological development in a way that ultimately aspires to become the catalyst for an artistic revolution. While recognizing the disruptions suc...
Discursive approaches to the study of religion have received a lot of attention recently. Making Religion brings together leading theorists in the field who explore the theoretical and practical dimensions of the analysis of religious discourse. The volume provides an overview of current debates in the field, extends and improves upon contemporary theories and methodologies, and contributes to the discipline more broadly by flagging the importance of this emerging field of research. The combination of theoretical reflection and practical application of discourse analysis as a tool to study religion opens up new perspectives for future research. Contributors are: Helge Årsheim, Stephanie Garling, Adrian Hermann, Titus Hjelm, Mitsutoshi Horii, George Ioannides, Jay Johnston, Reiner Keller, Jens Köhrsen, Marcus Moberg, Heinrich Wilhelm Schäfer, Leif-Hagen Seibert, Adrián Tovar Simoncic, Kocku von Stuckrad, Teemu Taira, and Frans Wijsen.
This study, from a variety of analytical approaches, examines ways in which contemporary Japanese film presents a critical engagement with Japan's project of modernity to demonstrate the 'crisis' in conceptions of identity. The work discusses gender, the family, travel, the 'everyday' as horror, and ways in which animated films can offer an ideal space in which an ideal conception of identity may emerge and thrive. It presents close, theoretically-informed textual analyses of the thematic issues contemporary Japanese films raise, through a wide range of genres, from comedy, family drama, and animation, to science fiction and horrror by directors such as Kurosawa Kiyoshi, Morita Yoshimitsu, Miike Takashi, Oshii Mamoru, Kon Satoshi, and Miyazaki Hayao, in language that is accessible but precise.
Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires as a reaction against the norms in discourses surrounding nation-states, linguistics, geopolitics, genders, and sexualities. Moving beyond the easy polarities between general resistance and capitulation, Queer Fan Cultures explores the fans’ dive...
Critics typically regard Abe Kobo (1924-93) as writing against realism, due to his avant-garde aesthetics that challenged the Naturalist realism dominating the literary mainstream and the Socialist realism of the orthodox Left in postwar Japan. He considered his work thoroughly realist, however, and starting in the early 1950s in a series of avant-garde art and literary groups, he championed the possibility of a vital, contemporary realism that challenged the reader to question the "reality" represented in the text through increasingly self-conscious writing strategies. Through a reassessment of the texts in which he worked out his theory of realism, this study traces the development of his ...
Der aktuelle Band der Japanstudien beschäftigt sich mit dem Thema Familie. Er besteht aus zehn themenrelevanten Beiträgen und sechs Buchbesprechungen, von denen jeweils die eine Hälfte in deutscher und die andere Hälfte in englischer Sprache verfasst ist. Zusammengenommen möchten die hier versammelten Beiträge einen vielfältigen und detaillierten Einblick in japanisches Familienleben ermöglichen, der dazu anregen soll, das Thema Familie und die ihr derzeit unterstellte Krise differenziert und aus unterschiedlichen Blickwinkeln zu betrachten.
With essays by an international group of scholars, Questions of Identity in Detective Fiction delves into the ways in which this genre, given its status as popular yet marginalized literature, allows for the exploration of a wide range of meanings. Contributors examine how the genre both mirrors and focuses the personal/sexual/ ethnic/spiritual, how it interfaces with national literatures and histories, and how the generic identity of detective fiction has evolved over time. Chapters include discussions of novels and short stories from American, Argentine, British, Canadian, French, German, and Japanese national literatures, ranging from the mid 19th century to the early 21st century.