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Vienna has been the locale for nearly one hundred and fifty films and television productions in English, from 1920s through the first years of this century, with imaginative representations of Freud, Strauss, Franz Josef, Mozart, Beethoven, and Klimt; mad scientists, assassins, spies, refugees, romantics, and American professors; historical dramas, cartoons, documentaries, and Hitchcock's only musical comedy. The "City of Dreams" has appeared as an imperial court, a center of scientific and medical research, a Jewish and Catholic homeland, a locus of international espionage and domestic crime, the destination for innocents abroad, the birthplace of the waltz, a stage for performances and per...
Felix Kulpa struggles to find meaning; Victor carries scars; clever students sabotage mentors. There's a carnival feel to Vienna as characters pass one another without meeting--leaving traces, overlapping moods, fragrances, songs, memories.
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
"Early American Literature and Culture: Essays Honoring Harrison T. Meserole, a timely collection that reflects changing conceptions of the field, contains studies by leading scholars and celebrates the achievements of Harrison T. Meserole--colonialist, bibliographer, and Shakespeare scholar extraordinaire. These dynamic essays deal with areas at the forefront of current research, such as popular culture, minority and non-Anglo writings, recanonization, genre studies, and Anglo-American links. All the contributors were Meserole's students sometime during the twenty-eight years he taught at The Pennsylvania State University, and all have established their own scholarly reputations since then....
Reading Jack Kerouac’s classic On the Road through Virginia Woolf’s canonical A Room of One’s Own, the author of this book examines a genre in North American literature which, despite its popularity, has received little attention in literary and cultural criticism: women’s road narratives. The study shows how women’s literature has inscribed itself into the American discourse of the Whitmanesque “open road”, or, more generally, the “freedom of the road”. Women writers have participated in this powerful American myth, yet at the same time also have rejected that myth as fundamentally based on gendered and racial/ethnic hierarchies and power structures, and modified it in the...