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Conscience and Catholicism
The understanding and use of conscience in Roman Catholicism has undergone evaluation within the broader efforts of the renewal of moral theology called for by Vatican II. A review of the literature reveals that among contemporary Catholic moral theologians there are differences in the way conscience is understood and employed. These differences are reflected in the distinct perspectives of D
Persia
A fascinating study of Persia’s interactions and exchanges of influence with ancient Greece and the Roman Empire. The founding of the first Persian Empire by the Achaemenid king Cyrus the Great in the sixth century BCE established one of the greatest world powers of antiquity. Extending from the borders of Greece to northern India, Persia was seen by the Greeks as a vastly wealthy and powerful rival and often as an existential threat. When the Macedonian king Alexander the Great finally conquered the Achaemenid Empire in 330 BCE, Greek culture spread throughout the Near East, but local dynasties—first the Parthian (247 BCE–224 CE) and then the Sasanian (224–651 CE)—reestablished th...
Golden Kingdoms
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only...
Mesopotamia
Mesopotamia, in modern-day Iraq, was home to the remarkable ancient civilizations of Sumer, Akkad, Babylonia, and Assyria. From the rise of the first cities around 3500 BCE, through the mighty empires of Nineveh and Babylon, to the demise of its native culture around 100 CE, Mesopotamia produced some of the most powerful and captivating art of antiquity and led the world in astronomy, mathematics, and other sciences—a legacy that lives on today. Mesopotamia: Civilization Begins presents a rich panorama of ancient Mesopotamia’s history, from its earliest prehistoric cultures to its conquest by Alexander the Great in 331 BCE. This catalogue records the beauty and variety of the objects on display, on loan from the Louvre’s unparalleled collection of ancient Near Eastern antiquities: cylinder seals, monumental sculptures, cuneiform tablets, jewelry, glazed bricks, paintings, figurines, and more. Essays by international experts explore a range of topics, from the earliest French excavations to Mesopotamia’s economy, religion, cities, cuneiform writing, rulers, and history—as well as its enduring presence in the contemporary imagination.
China
Anthropologists, archaeologists, geographers, and historians chronicle the evolution of Chinese culture and history from antiquity to present times
Beyond the Nile
From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another’s work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt’s history, however...
The Getty Bronze
Released from his prison of incrustation, having rested on the ocean floor for thousands of years, the bronze statue of an athlete stands in a quietly arrogant pose, having just placed an olive crown—the symbol of victory in the Olympic Games—on his head. In this monograph devoted to the Getty Bronze, Dr. Frel analyzes the technique and style that point to its attribution to the great fourth-century Greek sculptor Lysippos. The conservation of the bronze, its possible identity as a Hellenistic prince, and its place in Lysippos’s oeuvre are discussed.
Civilization
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