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Photography is generally considered to have had its birth in 1839, when Louis-Jacques-Mandé Daguerre first revealed his photographic process to the public. Increasingly, cameras have become more automated and electronic over the years. In spite of the increasing sophistication of the equipment, however, the photographer's eye continues to be all-important. Photography remains a unique human act. This compendium focuses on the technology of photography, the camera and its parts, types of lenses, shutters and speeds, films and filters, making photographs, exposing film, lighting, darkroom techniques and processing, printing photographs, and some of the practical applications of the medium.
In this intimate memoir, Ruth Rosengarten explores the subject of evocative objects through a series of interconnected essays. Evocative objects reflect our attitudes to our own lives and how we seek to display ourselves to ourselves. They are therefore, closely linked to our memories, and how we filter, process and reconstruct them. Rosengarten explores the themes and associations invoked by her own evocative objects, which are frequently shabby things of no material value. They are, importantly, often objects that, in their materiality, bear traces of actions, of something-having-been. Through the associative pathways that these objects have paved, she discusses her experiences with the lo...
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A valuable resource for budding photographers and fans of the visual medium alike, this volume traces the invention and early evolution and techniques of photography, from daguerreotypes to early attempts at color. The development of specific genres, such as portraiture, photojournalism, and fine art photography, is broken up with substantial sidebars that spotlight giants of the medium. Blending historical narrative, personal biographies, and photographs illustrating the works being examined, this book helps readers understand the rich and complex history of a relatively new visual art.
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Fifty articles with advice from America's most successful writers.
With her sensitive approach, her power of persuasion, and her astonishing persistence, Tina Ruisinger has succeeded in creating wonderful portraits of outstanding personalities who, having spent their lives behind the camera, are often extremely reluctant to expose themselves to the probing lens of a fellow photographer. These are artists whose works are etched in our memories but whose faces and life stories are largely unknown to most people. Tina Ruisinger photographed most of these photographers in their own private surroundings and interviewed most of them about their life and work. Complemented by the photographer's personal recollections of these encounters, the memorable words of her subjects underscore the intimacy and the intimate quality of these photographic portraits.
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Fifty Contemporary Choreographers is a unique and authoritative guide to the lives and work of prominent living contemporary choreographers; this third edition includes many new names in the field of choreography. Representing a wide range of dance genres and styles, each entry locates the individual in the context of contemporary dance and explores their impact. Those studied include: Kyle Abraham Germaine Acogny William Forsythe Marco Goeke Akram Khan Wayne McGregor Crystal Pite Frances Rings Hofesh Shechter Sasha Waltz With an updated introduction by Deborah Jowitt and further reading and references throughout, this text is an invaluable resource for all students and critics of dance and all those interested in the everchanging world and variety of contemporary choreography.