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Everything Begins Elsewhere
"Free of the habitual lyricism of Indian writers, [Doshi's] work is austere and beautiful. Her refreshing muscularity gives her a distinct voice, both as a woman and an Indian."—The London Times "A work of a striking, emerging talent, who is prepared to take risks in pursuit of sensual, emotionally engaged and passionate poetry."—Judge's citation, Forward Prize In her second book of poetry—and her American debut—Tishani Doshi returns to the body as a central theme, while extending beyond the corporeal to challenge the more metaphysical borders of space and time. These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, w...
A God at the Door
Shortlisted for the Forward Prize for Best Collection 2021 'May we always have the music and elegant fury of Tishani Doshi's poetry.' FATIMA BHUTTO 'The poems of Tishani Doshi's A God at the Door operate on the grand scale, reaching for visionary responses ... stunning and ambitious.' THE GUARDIAN 'At the core of Doshi's poetry is a quest, traced through anguish and exhilaration, for that hidden yet ever-present harmony which connects all species, animates all things, heals all trauma. A reader could explore the topographies of this book for ever.' RANJIT HOSKOTE Tishani Doshi's new book of poems tackles hyper-nationalism and misogyny head on, transforming a collective grief, anger and loneliness into a beam of hope and resilience. Shortlisted for the 2021 Forward Prize for Best Collection, A God at the Door is nothing short of a tour de force.
Girls Are Coming Out of the Woods
Girls Are Coming Out of the Woods is Tishani Doshi's third collection, following two earlier, highly praised collections, Everything Belongs Elsewhere, published by Bloodaxe in 2012, and her debut, Countries of the Body, winner of the Forward Prize for best first collection. Poetry Book Society Recommendation shortlisted for the Ted Hughes Prize.
The Pleasure Seekers
August, 1968: Babo Patel arrives in London from Madras, with curly hair, jhill mill teeth and dreams of becoming a success. When he meets the beautiful, auburn-haired Siân Jones, he falls in love instantly. She, like him, is in search of something bigger than what the home she left behind can offer.But when Babo's parents learn of his intention to marry 'some girl from God knows where' he is given an ultimatum: he can only marry Siân if they agree to live in Madras for two years before returning to London. As the years pass by, the calamities, quirks and heartaches of first love, lost innocence, and old age unfold across cultures and generations of this mixed-up family in a topsy-turvy world.
Fountainville
Gang wars, opium dreams and a mysterious clinic are all part of the landscape in the remote borderland town of Fountainville. But when Owain Knight arrives, his entanglement with the owner of the town's magical fountain, her mobster husband and her assistant, Luna, spells a terrible change for them all. Fountainville is the tenth and final tale in Seren's New Stories from the Mabinogion series and weaves together Celtic and Indian cultures.
Countries of the Body
'There is magic in her poems.' -- U. R. Ananthamurthy. First published in 2006, Tishani Doshi's debut collection, Countries of the Body, marks the arrival of a major new voice in international poetry. It won the Forward Poetry Prize for best first collection. Each poem in this collection sings of the body with all its contours and contradictions. Republished in this very special edition, the poems will enchant readers old and new with their delicate and haunting quality.
Poetry Unbound
This inspiring collection, curated by the host of the Poetry Unbound, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig’s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn’t necessarily know how to do so. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.
The Girl Who Ate Books
A unique collection of essays from one of India's best-loved critics From Bankimchandra Chatterjee to G.V. Desani to Vikram Seth, Indian writing in English has come a long way over the last hundred years. And Nilanjana Roy - voracious eater of books and sharpest of critics - has taken stock of it all. One of India's most widely read journalists, Roy has been writing reviews, columns, essays and features for over two decades. The Girl Who Ate Books revisits the best of these occasional pieces and weaves them together with a set of new personal essays. From early memories of living in a house made of books to encounters with men and women who hoarded books to the author's first taste of the pr...
India
***SHORTLISTED FOR THE EDWARD STANFORD TRAVEL WRITING AWARD (2022), ILLUSTRATED TRAVEL BOOK OF THE YEAR*** The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Arundhati Roy, Prem Shankar Jha, Tishani Doshi explo...
A God at the Door
Shortlisted for the Forward Prize for Poetry 2021.00An exquisite collection from a poet at the peak of her powers, Tishani Doshi's Forward-shortlisted A God at the Door spans time and space, drawing on the extraordinary minutiae of nature and humanity to elevate the marginalised. Extending the territory of her zeitgeist collection Girls Are Coming Out of the Woods, these new poems traverse history, from the cosmic to the quotidian. There is a playful spikiness to be found in poems like 'Why the Brazilian Butt Lift Won't Save Us', while others, such as 'I Found a Village and in it Were All Our Missing Women', are fed by rage. As the collection unfolds, there are gem-like poems such as 'I Carr...
