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A God at the Door
"We are homesick everywhere," writes Tishani Doshi, "even when we're home." With aching empathy, righteous anger, and rebellious humor, A God at the Door calls on the extraordinary minutiae of nature and humanity to redefine belonging and unveil injustice. In an era of pandemic lockdown and brutal politics, these poems make vital space for what must come next--the return of wonder and free movement, and a profound sense of connection to what matters most. From a microscopic cell to flightless birds, to a sumo wrestler and the tree of life, Doshi interrupts the news cycle to pause in grief or delight, to restore power to language. A God at the Doorinvites the reader on a pilgrimage--one that leads us back to the sacred temple of ourselves. This is an exquisite, generous collection from a poet at the peak of her powers.
Everything Begins Elsewhere
"Free of the habitual lyricism of Indian writers, [Doshi's] work is austere and beautiful. Her refreshing muscularity gives her a distinct voice, both as a woman and an Indian."—The London Times "A work of a striking, emerging talent, who is prepared to take risks in pursuit of sensual, emotionally engaged and passionate poetry."—Judge's citation, Forward Prize In her second book of poetry—and her American debut—Tishani Doshi returns to the body as a central theme, while extending beyond the corporeal to challenge the more metaphysical borders of space and time. These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, w...
Girls Are Coming Out of the Woods
Girls Are Coming Out of the Woods is Tishani Doshi's third collection, following two earlier, highly praised collections, Everything Belongs Elsewhere, published by Bloodaxe in 2012, and her debut, Countries of the Body, winner of the Forward Prize for best first collection. Poetry Book Society Recommendation shortlisted for the Ted Hughes Prize.
The Pleasure Seekers
August, 1968: Babo Patel arrives in London from Madras, with curly hair, jhill mill teeth and dreams of becoming a success. When he meets the beautiful, auburn-haired Siân Jones, he falls in love instantly. She, like him, is in search of something bigger than what the home she left behind can offer.But when Babo's parents learn of his intention to marry 'some girl from God knows where' he is given an ultimatum: he can only marry Siân if they agree to live in Madras for two years before returning to London. As the years pass by, the calamities, quirks and heartaches of first love, lost innocence, and old age unfold across cultures and generations of this mixed-up family in a topsy-turvy world.
Small Days and Nights
Shortlisted for the Ondaatje Prize 2020 'An astonishing novel that is beautifully written but underpinned by a quiet simmering anger about injustice and unrealistic expectations of a family – and of life in contemporary India' Peter Frankopan 'A shattering study of disaffection and belonging ... This is a concise novel of staggering depth ...Disturbing, deep and utterly extraordinary' Bidisha, Observer An Irish Times Book of the Year 2019 Escaping her failing marriage, Grace has returned to Pondicherry to cremate her mother. Once there, she finds herself heir to an unexpected inheritance. First, there is the strange pink house, blue-shuttered, out on a spit of the wild beach, haunted by th...
Small Days and Nights
Shortlisted for the Ondaatje Prize 2020 'An astonishing novel that is beautifully written but underpinned by a quiet simmering anger about injustice and unrealistic expectations of a family and of life in contemporary India' Peter Frankopan 'A shattering study of disaffection and belonging - This is a concise novel of staggering depth -Disturbing, deep and utterly extraordinary' Bidisha, Observer An Irish Times Book of the Year 2019 Escaping her failing marriage, Grace has returned to Pondicherry to cremate her mother. Once there, she finds herself heir to an unexpected inheritance. First, there is the strange pink house, blue-shuttered, out on a spit of the wild beach, haunted by the rattle...
Countries of the Body
'There is magic in her poems.' -- U. R. Ananthamurthy. First published in 2006, Tishani Doshi's debut collection, Countries of the Body, marks the arrival of a major new voice in international poetry. It won the Forward Poetry Prize for best first collection. Each poem in this collection sings of the body with all its contours and contradictions. Republished in this very special edition, the poems will enchant readers old and new with their delicate and haunting quality.
Fountainville
Gang wars, opium dreams and a mysterious clinic are all part of the landscape in the remote borderland town of Fountainville. But when Owain Knight arrives, his entanglement with the owner of the town's magical fountain, her mobster husband and her assistant, Luna, spells a terrible change for them all. Fountainville is the tenth and final tale in Seren's New Stories from the Mabinogion series and weaves together Celtic and Indian cultures.
Small Days and Nights
A captivating and clear-eyed story of two sisters caught in a moment of transformation, set against the vivid backdrop of modern India. Escaping her failing marriage in the United States, Grace Marisola has returned to Pondicherry to cremate her mother. Once there, she receives an unexpected inheritance—a property on the isolated beaches south of Madras—and discovers a sister she never knew she had: Lucia, four years older, who has spent her life in a residential facility. Settling into the pink house on its spit of wild beach, Grace builds a new and precarious life with Lucia, the village housekeeper Mallika, the drily witty Auntie Kavitha, and an ever-multiplying band of dogs, led by t...
The Adulterous Citizen
Poetry. Fiction. Literary Nonfiction. Asian & Asian American Studies. Women's Studies. Travel. This is an exploration into an obsession. THE ADULTEROUS CITIZEN contemplates the feeling of belonging, while yearning for the seduction of elsewhere. Tishani Doshi guides us through the streets of Cartagena, the seaside of Madras, and the bronze cliffs of Wales; through arcane museums and into strangers' houses; her poems, short stories and essays take us on a train ride across India into self-discovery and a teenager's failed escape on the American Road, into a house of childhood ghosts, and on a journey of a delusional widow in the Himalayas. Travelling along are those abstract countries of memory and the imagination the author's constant companions, and the reason why she writes at all: because she just "won't shut up "
