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The Purple Decades brings together the author's own selections from his list of critically acclaimed publications, including the best from The Electric Kool-Aid Acid Test, Radical Chic, From Bauhaus to Our House, The Right Stuff and the complete text of Mau-Mauing and the Flak Catchers. An essential introduction to the non-fiction writing of the inventor of New Journalism.
A wonderful novel and perfect book club choice, The Right Stuff is a wildly vivid and entertaining chronicle of America's early space programme. WITH AN INTRODUCTION BY US ASTRONAUT SCOTT KELLY 'What is it,' asks Tom Wolfe, 'that makes a man willing to sit on top of an enormous Roman Candle...and wait for someone to light the fuse?' Arrogance? Stupidity? Courage? Or, simply, that quality we call 'the right stuff'? A monument to the men who battled to beat the Russians into space, The Right Stuff is a voyage into the mythology of the American space programme, and a dizzying dive into the sweat, fear, beauty and danger of being on the white-hot edge of history in the making. 'Tom Wolfe at his very best... Learned, cheeky, risky, touching, tough, compassionate, nostalgic, worshipful, jingoistic...The Right Stuff is superb' New York Times Book Review
An exhilarating satire of Eighties excess that captures the effervescent spirit of New York, from one of the greatest writers of modern American prose. Sherman McCoy is a WASP, bond trader and self-appointed 'Master of the Universe'. He has a fashionable wife, a Park Avenue apartment and a Southern mistress. His spectacular fall begins the moment he is involved in a hit-and-run accident in the Bronx. Prosecutors, newspaper hacks, politicians and clergy close in on him, determined to bring him down. Exuberant, scandalous and exceptionally discerning, The Bonfire of the Vanities was Tom Wolfe's first venture into fiction and cemented his reputation as the foremost chronicler of his age. 'The air of New York crackles with an energy that causes the adrenalin to pump... The feeling is perfectly reproduced in Wolfe's novel... Electric' Sunday Times 'The quintessential novel of The Eighties' The Guardian
A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami's Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.
A satire on America featuring a capitalist trying to avoid ruin. The hero is Charlie Croker of Atlanta whose plantation and skyscraper face repossession by banks for non-repayment of a loan. One way out might be to request leniency in return for hushing up a rape.
One of the most essential works on the 1960s counterculture, Tom Wolfe's The Electric Kool-Aid Test is the seminal work on the hippie culture, a report on what it was like to follow along with Ken Kesey and the Merry Pranksters as they launched out on the "Transcontinental Bus Tour" from the West Coast to New York, all the while introducing acid (then legal) to hundreds of like-minded folks, staging impromptu jam sessions, dodging the Feds, and meeting some of the most revolutionary figures of the day.
Reissued for today’s reader with a redesigned cover by the renowned artist Seymour Chwast, Tom Wolfe trains his satirical eye on Modern Art in this “masterpiece” (The Washington Post). What has become of art? In his dazzling and controversial book The Painted Word, Tom Wolfe explores this question and more as he investigates early trends in Modern Art and critiques the critics who dominated the art world during the 1960s and ’70s. Wolfe addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. He bring into question the work of famous avant-garde artists like Andy Warhol, Jackson Pollock, and others. With gorgeous, pointed prose, Wolfe investigates what has become of Modern Art and examines the control that art critics have over the art world at large. Elegant, hilarious, and devastating, The Painted Word presents a sharp critique of the modern state of art.
In the fall of 1999, 41-year-old Meg Wolff was dying of breast cancer. She had fought the good fight; mastectomy, chemotherapy, and radiation but none of the treatments were expected to save her life. Meg had already proven that she was a fighter and that she wanted desperately to live. Eight years earlier she was diagnosed with bone cancer and had her leg amputated. Now Meg was ready to fight again; armed with a macrobiotic diet and a determination to control how she would live or die. This is an incredible story of a courageous womanâÂÂs fight to take back her life, restore her marriage, and heal herself physically and emtionally. Her story is inspiring and her message is enlightening.
At Dupont University, an innocent college freshman named Charlotte Simmons learns that her intellect alone will not help her survive.
"Tom Wolfe's two-act dissection of 1970s race relations in America"--