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Something strange happens when the past comes crushing into you, right in the present. April, 1980. The British colony of Rhodesia becomes the independent nation of Zimbabwe. A born-free, Tonderai Munyevu is part of the hopeful next generation from a country with a new leader, Robert Mugabe. Mugabe, My Dad and Me charts the rise and fall of one of the most controversial politicians of the 20th century through the lens of Tonderai's family story and his relationship with his father. Interspersing storytelling with Mugabe's unapologetic speeches, this high-voltage one man show is a blistering exploration of identity and what it means to return 'home'.
Two migrants both alike in dignity in this city where we lay our dreams. Two men arrive in London looking for Shakespeare. They say they are from Balaika, Africa. They have passed through fire to be here and are determined for the great man to hear their stories. Alas, Shakespeare is dead! However, his theatre still stands. Soon they find themselves swept up and placed on stage in front of an expectant audience. Fame, fortune and love awaits ... But, can they survive the increasingly hostile environment? In triumphantly energetic Southern African style, two actors play men, women and immigration police to portray this funny yet moving story of love, friendship, and ambition. Published in Methuen Drama's Plays For Young People series, this edition features resources for teachers and students, including an introduction by Sonia Massai, Professor of Shakespeare Studies at Kings College London, and a contextual response to the play in production by the author.
Something strange happens when the past comes crushing into you, right in the present. April, 1980. The British colony of Rhodesia becomes the independent nation of Zimbabwe. A born-free, Tonderai Munyevu is part of the hopeful next generation from a country with a new leader, Robert Mugabe. Mugabe, My Dad and Me charts the rise and fall of one of the most controversial politicians of the 20th century through the lens of Tonderai's family story and his relationship with his father. Interspersing storytelling with Mugabe's unapologetic speeches, this high-voltage one man show is a blistering exploration of identity and what it means to return 'home'.
A compelling, surprising new show that turns a spotlight onto Britain's missing histories. Dedicated to the Black Men's Walking Group. Thomas, Matthew and Richard walk. They walk the first Saturday of every month. Walking and talking. But this walk... Maybe they should have cancelled, but they needed the walk today. Out in the Peaks, they find themselves forced to walk backwards through two thousand years before they can move forwards.
A ground-breaking, provocative and diverse anthology of writing about black gay men's lives in the UK - essays, activist memoirs, (auto)biographies, poems and fiction, edited by multi-award-winning writers Rikki Beadle-Blair and John R Gordon. Contributors are: Adam Lowe, Ade Adeniji, Anu Olu, Bisi Alimi, Cheikh Traore, Cyril Nri, Daniel Fry, 'Danse Macabre', David McAlmont, Dean Atta, Diriye Osman, Donovan Christian-Carey, Donovan Morris, D'relle Wickham (Khan). Edd Muruako, Geoffrey Williams, Giles Terera, Jimmy Akingbola, John R Gordon, Keith Jarrett, Leee John, Leo Ofori, 'Merlin', Mickel Smithen, Paul J Medford, P J Samuels, Rhys Wright, Rikki Beadle-Blair, Dr Rob Berkeley, Robert Taylor, Rogue Scott, Reverend Rowland Jide Macaulay, Salawu Olajide, Tonderai Munyevu, Topher Campbell, Travis Alabanza, Z Jai Walsh
‘We stand on the shoulders of giants. Now we learn their names.’
Presents current scholarship on race and racism in Shakespeare's works. The Handbook offers an overview of approaches used in early modern critical race studies through fresh readings of the plays; an exploration of new methodologies and archives; and sustained engagement with race in contemporary performance, adaptation, and activism.
Theatre in the Expanded Field is a fiercely original, bold and daring exploration of the fields of theatre and performance studies and the received narratives and histories that underpin them. Rich with interdisciplinary reference, international, eclectic and broad-ranging in its examples, it offers readers a compelling and provocative reassessment of the disciplines, one that spans pre-history to the present day. Sixty years ago, in 1962, Richard Southern wrote a remarkable book called The Seven Ages of the Theatre. It was unusual in its time for taking a trans-disciplinary, new-historical and avowedly internationalist approach to its subject - nothing less than a totalizing view of its fie...
While the word “gentlemen” suggests that its heroes are adults, The Two Gentlemen of Verona is more intelligible if we think of them as boys, leaving home for the first time. One has a crush on a girl, Julia, though he hasn’t yet told her. Sent to court to learn to be “perfect gentlemen,” Valentine and Proteus are derailed by their attraction to Sylvia, the ruler’s daughter. Valentine’s mental denseness does not deter Sylvia from returning his love, but he is caught, and banished, when he tries to elope with her. Proteus’ desire for Sylvia wipes out his former love, leading him into despicable acts that win scorn from Sylvia and wound Julia, who has pursued him disguised as a...
Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality...