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The essays cover an astonishing range of subject matter, from mental health and plastic surgery to literature, music, political philosophy, performance, popular culture and history. They interrogate the dominance of whiteness, exposing the underpinnings of white privilege and considering its global consequences.
Fifteen years ago, Susan Morrow left her first husband Edward Sheffield. One day, comfortable in her home, and her second marriage, she receives, entirely out of the blue, a parcel containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says. As Susan reads, she is drawn into the fictional life of his character Tony Hastings, a maths professor driving his family to their summer house in Maine. And as we read with her, so are we. As the Hastings' ordinary, civilised lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life. TONY AND SUSAN is a dazzling achievement: simultaneously a riveting portrayal of the experience of reading and a page turning thriller, written in startlingly arresting prose. It is also a novel about fear and regret, revenge and aging, marriage and creativity. It is simply unique.
First multi-year cumulation covers six years: 1965-70.
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