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The White Powder Business
Self-proclaimed crime lord Danny Walsh is accused of possession with intent to supply heroin valued at GBP250,000 - but is it really his? Tempted by the appeal of underworld life, his barrister Simon Silver spends every night of the five-day trial in the company of Walsh's associates in an effort to find out. But who, if anyone, has set Danny up?
Unnoticed
Would you put your career on the line for someone you had never met? What if their life depended on it? Would you consent to an association with true evil if it was the right thing to do?Simon Silver is a Barrister held to emotional ransom by his client. A four-year-old girl has been kidnapped and the client knows where she is. In exchange for his own freedom, he'll give the Police the key to her rescue, but only if Simon guarantees the kidnappers won't get caught. Is there a right choice? For Simon, this looks like being his worst day ever...
The London Gazette
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Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Membership Directory
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In the Studio
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.
Nightmare USA
From Quentin Tarantino (Kill Bill) to Eli Roth (Hostel), the young guns of modern Hollywood just can't get enough of that exploitation film high. That's because, between 1970 and 1985, American Exploitation movies went berserk. Nightmare USA is the reader's guide to what lies beyond the mainstream of American horror, dispelling the shadows to meet the men and women behind 15 years of screen terror: The Exploitation Independents! Ranging from cult favourites like I Drink Your Blood to stylish mind-benders like Messiah of Evil.
