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Oats, Peas, Beans, and Barley Grow Lap Book
Children will love the simple rhyme in this illustrated version of a traditional song. With lively, captivating illustrations, readers will be engaged from beginning to end as this farmer tends to his oat, pea, bean, and barley plants. Children are encouraged to gather information from the text and the images to retell what they have learned. This book will leave new readers feeling confident as they begin their discovery of the world of reading! This lap book is the perfect size to use for read-alouds, partner reading, and small group instruction.
A Short Season
The author discusses the time he spent living on a sheep ranch in Montana during the 1940s
Dapples of the Circus
DigiCat Publishing presents to you this special edition of "Dapples of the Circus" by Clarence Hawkes. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Unbearable Whiteness of Being
The history of colonial land alienation, the grievances fuelling the liberation war, and post-independence land reforms have all been grist to the mill of recent scholarship on Zimbabwe. Yet for all that the country's white farmers have received considerable attention from academics and journalists, the fact that they have always played a dynamic role in cataloguing and representing their own affairs has gone unremarked. It is this crucial dimension that Rory Pilossof explores in The Unbearable Whiteness of Being. His examination of farmers' voices - in The Farmer magazine, in memoirs, and in recent interviews - reveals continuities as well as breaks in their relationships with land, belonging and race. His focus on the Liberation War, Operation Gukurahundi and the post-2000 land invasions frames a nuanced understanding of how white farmers engaged with the land and its peoples, and the political changes of the past 40 years. The Unbearable Whiteness of Being helps to explain why many of the events in the countryside unfolded in the ways they did.
At the End of the Day
At the End of the Day By: Gene Jessup I am in the sunset of my days. My journey has been long and at times difficult, but it has created the man I am today. I was an actor on the stage of man and was defined by the roles I played. The dreams of man became my own, as I followed many paths through my lifetime. But today I am content with the man I have become. And as I approach the end of my travels I find within the beauty of my world quiet moments to reflect, reminisce and remember. As the many days of my life have become my yesterdays and each year becomes but a memory, I find myself wandering the halls of my mind seeking answers to the question, what awaits me at the end of the day? Does the story end or simply begin again in another dimension, not of man’s design? In moments of quiet reflection I stand before a curtain wondering. But I hesitate to open this portal, perhaps a little afraid of the unknown; but I know I must take the next step, a step of faith. The book “At the End of the Day” is a brief glance at one man’s journey into the unknown of tomorrow as I contemplate a new beginning in a world not of man, but of the spirit.
Society for the Prevention of Cruelty to Animals
This book is subtitled "A Humorous – If Possible – Novella from the Ghetto.” It was published in 1969 by a famous satirist from Prague, a co-creator of the "small form theater” and a contributor to the humorous Porcupine magazine. The author’s coming of age in the Terezín Ghetto presents a unique image amongst the volumes of the Holocaust literature, combining death and terror with absurdity and humor as well as stark openness. The traditional image of the world of adults viewed through the eyes of a child is constructed in a humorous manner, however, through laughter it also presents experience that is beyond description. The text, translated into English by Alex Zucker and with and epilogue by Jáchym Topol, is followed by personal memories of the author’s sister, film documentarian Zuzana Justmanová.
Our Animal Friends
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